. . . . and, turns out, 'tis just that. new day - a new beginning, perhaps.
I have just returned from my first trip to the United Kingdom (sounds so quaint when one actually says that, but that is what the UK is). Eleven days in a different land - nay a different universe in many respects. Given all the places in the world I've visited a visit to England was just never on my radar. Not sure why - must have something to do with the fact that my family, some generations back (in the late 1700's), were British. So perhaps I have taken it for granted. I have no ties to any part of the family in the UK......but I did hear of the family history when I was young. I did hear that a great grandfather, a Royal Surgeon, was one of the doctors who trained and worked with, Florence Nightingale. Another branch of the family were renowned as the inventors of silver-plating. The Elkingtons were famous for their silver. So much so that the Royal Family paid visit to one of their factories in Birmingham in the mid 1800's.
So much so that Elkington silver (chalices, dinnerware, candelabra, etc) are still offered for sale on eBay.
Of course, i have none myself. But when I was planning this trip to Cheltenham to attend the graduation ceremonies, to receive formally, my M.A. from University of Gloucestershire, I realized that Birmingham was only an hour train ride away to the north. And, so - like why not? When I discovered that there is actually a street in Birmingham named after my forbears, that sealed the deal. A visit to Elkington Street was added to the list. And then to find that the original Elkington factory building still exists on Newhall Street - well, done deal. Following are some of the images that relate to this little story. Had time permitted I would have loved to have popped into the Queens Arms next door and spent some time there.......next trip for sure.
The Elkington store, 1878
Moi, in front of the original Elkington factory building - now a historical site
The Queens Arms - next door to the Elkington factory
The next stop on our journey was London itself. Honestly, with only three days there, I know, that had I been at all smart 40+ years ago I would have moved to London - to live, to work - to participate in any small way in the wonder of that city. Simply stated, there is none like it in the world. The elegance, the charm, the design sensitivity - the design awareness - that is not found here in North America in my experience. And the sheer scale of it is mind boggling. To walk through Westminster Abbey, the Tower of London (which is a virtual city within a city) - the sense of awe of everyday occurrences over a thousand years ago......it is humbling, it is inspirational, it is - enervating!
From our very elegant condo/hotel (The Grand Residences by Marriott) we walked the adjacent streets, walked to and through Shepherd market - a rather Bohemian sector of Mayfair......we bus toured the inner city, getting off, getting on as a whim presented itself, to marvel at the range of architecture, old, and new. Some new, seems like being different simply for the sake of being different. London City Hall, by Sir Norman Foster, was always a structure I wanted to visit.....although the day was grey, misty, cold and rainy, I took some great photographs(IMHO). The juxtaposition of the City Hall and the Tower Bridge with the Shard peeking over the ancient rooflines.....wow!
In this issue there will be a certain amount of visuals from that trip - with additional photographs perhaps in future issues.
But, this journey was great for one other reason - an important one to me, and hopefully important and meaningful for you the reader. For DesignReview•International has found, finally, a sponsor.
The Design Trust, London, has stepped up to provide a degree of support - a welcome partner, if you will, in our attempts to sustain the publication of DR•I. This will be a trial run - we're going to re-evaluate after 6 months at the end of June. If all goes well, perhaps the publication will change hands entirely.
That may be the best for DR•I - we'll see what the next 6 months bring. This development however, does not change the need for subscription. Clearly, if DR•I is independent and not ad-supported (which may now need to change) the weight of monthly expenditures need be mitigated somehow. Up until now, all costs have come out of my pocket. I won't lie - they aren't numbing costs, so to speak - but the simple email distribution model runs into a significant sum each month.
Here, is the signature of our sponsor:
It will be readily visible throughout the publication from now on. The same goes for DesignPreviewInternational - which, by the way, will most definitely begin to show ads starting in the first release in January.
Brett Bentwood Chair
Brett bentwood chair is designed to impress and perform at an exepctional value. Constructed from solid European beech, it features a sturdy footrest.. The design draws the eye with traditional styling and soft, curved lines for an air of understated elegance. Handcrafted by skilled artisans in Europe, our bentwood chair fuses form, function and versatile style for commercial and public spaces.
Dimensions: 14.5" W x 15.7" D x 29.9" H
Seat Height: 17.7"
p e r s p e c t i v e
It's needed, certainly - these days more than days gone by. Alibaba is a juggernaut - a chinese juggernaut.
The Background: Alibaba was founded in 1999 by former English teacher Jack Ma, who scraped together $80,000 from 80 investors to start an online marketplace for Chinese companies. He became the richest man in China and his estimated net worth has topped $47 billion. When Ma saw a need for an internet search engine partner, he connected with Yahoo! Inc. co-founder Jerry Yang. Yahoo paid $1 billion for a 40 percent stake in Alibaba in 2005. Alibaba’s Taobao Marketplace, which links individual buyers and sellers, and Tmall.com, which connects retailers and consumers, offer everythingfrom Alaska salmon to Boeing 747s. The company makes money from commissions on sales, advertising and through fees for memberships and other services.
Alibaba has been an unparalleled success. To put that into p e r s p e c t i v e look at the following graphic from Statista
This is not intended as a political comment - it is, simply, a reality check. Any idea that the USA can compete on the same scale of commerce that China can, is simply delusionary. Pointe finale.
CLINTON CORNERS HOUSE
Overlooking Lake Upton in the Hudson Valley, the Clinton Corners House offers a bespoke retreat in prefab form. The dwelling is based on Lake|Flato's Porch House and utilizes prefabricated timber framing and super-insulated panels to complete the home in just eight months. Its three gabled volumes are clad in western red cedar and feature a metal roof to resemble the traditional barn vernacular. Divided between family, guests, and entertaining, the interior's rustic minimalism is defined by exposed white oak beams, vaulted ceilings, and concrete floors. A wall of glazing in the great room puts the focus on lake views while a series of porches are completely enveloped in the rural landscape.
Photos: Chris Cooper / Lake|Flato
LAKE | FLATO ARCHITECTS
San Antonio Office
311 Third Street
San Antonio, TX 78205
1224 East 12th Street, Suite 430
Austin, TX 78702
Lladró’s Nightbloom collection is the name of the most recent lighting line created by Marcel Wanders, one of the top interior designers in Europe. Recently he has been recognized for his achievements, specifically within this Lladró’s inspired collection that won the Lighting category award, on Home Interior Products section. This is a major accomplishment towards the design community, where outstanding works are able to prevail and stand out!
The European Product Design Award is an institution that aims to recognize, annually, the efforts of designers and design teams that aspire to improve our everyday lives with practical and beautiful creations. The contemporary shapes of the Nightbloom lamps, calling to mind the petals of a flower swaying in the breeze, earned Lladró this prestigious award recognized all over the world.
Nightbloom by Marcel Wanders stands on an authentic and out-of-the-ordinary collection that represents a set of exquisite lighting pieces that stand as simple items, yet enable the most luxurious ambiance you can imagine! This collection was presented at the last edition of Isaloni 2019, in Milan, within the Euroluce fair.
Bjarke Ingels Group has been working on the Mars Science City project after the United Arab Emirates announced the initiative in 2017. The $140 Million USD (AED 500 million) research city aims to serve as a “viable and realistic model” for the simulation of human occupation of the martian landscape. The project is designed with a team of Emirati scientists, engineers and designers from the Mohammed bin Rashid Space Center.
Utilizing one of the techniques currently considered for Mars habitat construction, the walls of the museum will be 3D printed using sand from the Emirati desert. Laboratory spaces will be outfitted with advanced technologies allowing researchers to test construction and living strategies under specific Martian heat and radiation levels. Plans for the city include an experimental living scenario in which a team will attempt to live within the constructed environment for a full year.
The 1.9 million-square-foot domed structure will become the largest space simulation city ever constructed. Mars Science City will house a variety of program pieces for both researchers and visitors, including laboratories for the study of food, energy and water; landscapes for agricultural testing and food security studies; and a museum celebrating humanity’s greatest space achievements and educating visitors on the city’s research.
Eric Baldwin Author
DANISH ARCHITECT DORTE MANDRUP’S THE WHALE VISITOR CENTER IN THE ARCTIC CIRCLE
300 km North of the Arctic Circle, on the tip of the island Andøya lies Andenes. A small town located amid dramatic landscapes – both above and below the ocean’s surface. Just a few sea miles from shore a deep-sea valley unfolds. It is frequently visited by migrating whales, making Andenes one of the best places in the world to see this fabled animal up-close.
The new Arctic attraction, The Whale, tells the story of the big inhabitants of this underwater world, rising as a soft hill on the rocky shore– as if a giant had lifted a thin layer of the crust of the earth and created a cavity underneath.
The building rises as a soft hill on the rocky shore – as if a giant had lifted a thin layer of the crust of the earth and created a cavity underneath.
A single curved concrete shell makes up the roof of The Whale. This parabolic form effectively transmits the forces to three support points in the corners of the building, creating a large, inner column-free room.
We insist on clients that share our ambition and courage -
in the end, the extraordinary requires nerve.
Dorte Mandrup is a team of die-hard overachievers. Striving towards the ultimate synthesis, we combine our firm grasp on reality with a knack for
dreaming out loud – delivering the know-how to solidify ideas.
About the studio
With Founder and Creative Director Dorte Mandrup firmly at the wheel, our international team of 70 die-hard overachievers drive headfirst into complex architectural tasks armed with unconditional curiosity and an undying love for the process of finding an original take.
Driven by a devout belief in the possibilities of modern architecture and an experimental curiosity that insists on outstanding craftmanship – our team combines a firm grasp on reality with a knack for dreaming out loud.
Always striving to perfect the art of listening and understanding the bigger picture, we consider it our greatest responsibility to transform ideas into great, buildable design.
Where does d e s i g n live? Good question, no? Anyone have the answer? Thought not. 'Cause the only answer is, 'everywhere'. Next question - what language is design from? Answer : : None - why? 'cause design is a language.....design is a conversation, between conscious users/consumers and/or between plain, everyday observers. Design, living everywhere, is plastic - it takes every form, speaks softly, sometimes yells raucously. Or it murmurs seductively, it whispers comfortingly.
So design lives here, also in Moraga, CA.
Spectacular Remodel Featured on the 2010 Moraga Country Club Kitchen Tour - Wonderfully updated MCC home - totally remodeled and improved. Expanded kitchen w/ WoodMode cabs, CeasarStone counters, nice appliances. Great golf course + view location. Gracious Master with updated bath, walk-in closet, private deck. Includes access to Moraga Country Club!
This from the Zillow site : :
Situated between the Caspian Sea and Si Sangan forest, Iranian firm MADO Architects developed a private residential project dedicated to the clients' specific request of absolute privacy. The Sisangan Villa project focused on the site's layout, referral to typical vernacular architecture, and geometric manipulation to create a dynamic structure of intersecting concrete walls and glass facades.
The initial design started with a square with 4 walls, bounding the construction site from all sides.The team then detached the square’s sides from their intersection and rotated them, forming the project's interior space and allowing light to enter from all sides. This manipulation of geometric forms reinforced a connection between the architecture, landscape, and sunlight, blurring the boundaries between inside and out. The oblique walls were also implemented in the design to structurally support the roof, as well as create a sense of privacy and enclosure.
MADO Design : : firstname.lastname@example.org : : N.12, Anahita Street, Parkway, Tehran, Iran
L L EE OO + more Leo ++
These are some of the latest photographs from Leonardo Bechini, photographer extraordinaire, Milan, Italy - obviously a fashion shoot.
Merry Christmas to all of you.
This issue has no Christmas content
Should it have had?
I, think not
The form, contours and character of DR•I is likely
to change in the coming issues.
There is one little piece of information that I feel
is owing....given that the internet is so pervasive,
so powerful, so are the tolls available to guys like
me who strive to create interesting content.
One such tool that is built-in to our new formatting
is a tracking feature.....regular reports are generated
that reflect important data, important information.
One such is all recipients who actually click on, or open the
That's it, that's all - but it is quite enough for us to conduct
analytical statistical reviews. Therefore, as of January,
recipients who do not open DR•I will be removed from
the mailing list.
No big deal - no one should feel insulted if that happens.
After all, if you're not reading it we do not want to impose
a mailing on you.
If, however, you feel this may be incorrect, simply send an email to
with this in the subject line:
C'est tout - that's all
Oh - one other thing - there is a review/discussion curreently
between our sponsor and us, to increase the publication to twice monthly -
but with reduced volume of content.
Seems many of you would prefer the opportunity
to better digest what we find, send.
And here we are......some of you decided to continue the journey, others didn't. No loss....
see, I/we (Vanessa, Steven, Leonardo and Hana) still put in the same effort.....rushing with the same passion, the same conviction that d e s i g n - in all its forms, is a meaningful part of the equation of life, of living.
In algebra every equation is a balanced formula - the conditions expressed on the left side of the equal sign are e q u a l to, the conditions as contained on the right side of that same sign. Speaking on behalf of my colleagues, contemporaries - all who speak at least 3 languages - design is yet, another language. It is a lingua of emotion touched/tapped - it is a language of movement, wherein a sculpture, a painting - a park, place, building, moves us to feel....to feel a connection, and when really successful to feel an understanding of what is not stated in words, per se, but is stated in the visual language of balance, symmetry, colour, form and/or function.
DesignReview•International has evolved - it has come from a humble, hesitant voice to what it is today - proud of its achievement, gratified by the comments and criticisms that relate to its content - it has - a voice! You all - yes, you, the readers - it warms my heart to know that what we have managed to bring to life, has brought a light of sorts into your, lives.
We will continue on this mission - to seek, to find - to put in front of you, treasures, prizes, surprises that will hopefully expand your universe of design of design sensibility/sensitivity • talk back to us please - let us know what, why - things work for you. We will attempt to search, to find, aspects and elements that are meaningful to your lives.
Grazie, all. . . . . .
What, is art?
That question has haunted the human race since time immemorial....
this question is an emotional one
it is a legal one
it is a transactional one
Thomas Merton in No Man Is An Island:
Art enables us to find ourselves and lose ourselves at the same time.
Jennifer Seeley, knows, art. Her art, is a little different - 'What is art?' is a question that resonates,
I believe, in all of us. If a poem moves you, if a lyric pinches at your emotions - if a song or piece of music
causes ripples in your heart, rapture in your soul, is that, art? Artists, galeries, museums, curators, social media, all claim to know the answer. Maybe they do.....maybe they do. Para mi, it is whatever touches you.....the songbooks of Francis Cabrel, Rod Stewart's delivery in 'An American Songbook', Manitas de Platas' or Stephane Grapelli - or Django Reinhardt • I am moved, I am both a victim and a winner in any/all of this.
Jennifer Seeley delivers a very special/specific art form - IMHO, she takes the 'taken for granted' subject of the animal kingdom and infuses them with actual personality.....almost as if the giraffe took a 'selfie'- or BEAR, popped into the frame with its unasked question.
So - here is Jennifer Seeley
And here is where you can discover more about her, her passions, her principles.http://www.jennseeleyart.com/index.html
Jennifer Seeley is a painter exploring ideas of expression and color through animal portraiture. She was born and raised in SLC Utah and received her BFA in Drawing and Painting and Art Education through Utah State University.
Jennifer has a deep appreciation for living things and her work is a celebration of this. She uses a combination of quick loose brushstrokes and slow refined strokes with bright and arbitrary color schemes to create a lively feel to her work. She often mixes the paint right on the canvas. Each painting has a unique expression and takes on a personality of its own.
She gains inspiration and rejuvenation through the outdoors and enjoys traveling across the US selling her work.
You have questions? I have, answers. . . . 56 years ago, in 1963 the Apollo 3500 GT SPIDER, was born.
This was a hybrid, the combined efforts of Italian craftsmen, American engineers - to produce this svelte, sexy, automobile.
From the web-site that is managing this auction, 'When Britain met America with the Shelby Cobra, it was an instant success. Another cross-Atlantic pairing that isn't as well-known is the Apollo 3500 GT, and American-Italian hybrid powered by an all-aluminum Buick V8. The brainchild of engineer Milt Brown, the Apollo used a Brown-designed chassis, the aforementioned V8, and handmade bodywork by Carrozzeria Intermeccanica of Torino, Italy. The Apollo used a ladder chassis with a multi-link rear suspension and upper and lower A-arms at the front — one-upping Ferrari, who were still using rear live axles and leaf springs. Despite the solid performance, company was plagued by strong demand and poor finances, and only 86 were made. Only five Spiders still exist, and the 3500 GT Spider pictured here is the first one built and has been owned by George Finley, head of sales for Apollo, since new. The car is absolutely mint and is one of the most unique cars to come from America, when a dream and some know-how went a long way.
To learn more go here:
This is a discovery of the works of Giacometti, who was a Swiss sculptor, painter, draftsman and printmaker. Beginning in 1922, he lived and worked mainly in Paris but regularly visited his hometown Borgonovo to see his family and work on his art.
Giacometti was one of the most important sculptors of the 20th century. His work was particularly influenced by artistic styles such as Cubism and Surrealism. Philosophical questions about the human condition, as well as existential and phenomenological debates played a significant role in his work. Around 1935 he gave up on his Surrealistic influences in order to pursue a more deepened analysis of figurative compositions. Giacometti wrote texts for periodicals and exhibition catalogues and recorded his thoughts and memories in notebooks and diaries. His self-critical nature led to great doubts about his work and his ability to do justice to his own artistic ideas but acted as a great motivating force.
Between 1938 and 1944 Giacometti's sculptures had a maximum height of seven centimeters (2.75 inches). Their small size reflected the actual distance between the artist's position and his model. In this context he self-critically stated: "But wanting to create from memory what I had seen, to my terror the sculptures became smaller and smaller". After the war, Giacometti created his most famous sculptures: his extremely tall and slender figurines. These sculptures were subject to his individual viewing experience—between an imaginary yet real, a tangible yet inaccessible space.
In Giacometti's whole body of work, his painting constitutes only a small part. After 1957, however, his figurative paintings were equally as present as his sculptures. His almost monochromatic paintings of his late work do not refer to any other artistic styles of modernity.
The Giacometti Institute + Museum, designed by Pacal Grasso Architects, is described as:
The Giacometti Institute was created on the initiative of the Giacometti Foundation, which owns the biggest collection of Alberto Giacometti’s works. The Institute is the reference place for Giacometti's work and an art history center, which includes exhibitions, research and pedagogy.
With a surface area of 350 m2, the Giacometti Institute is located at 5 Rue Victor Schœlcher in the 14th arrondissement, the Montparnasse neighbourhood where Giacometti lived and worked throughout his career.
It is housed within the former studio of artist and interior designer Paul Follot, in a listed heritage building, a private mansion in the art deco style, with decors have been preserved and restored. Dating from the period of stylistic transition between art nouveau and art deco, the building was built between 1912 and 1914. Paul Follot’s studio constitutes a remarkable testimony to the Montparnasse neighbourhood, the area chosen by artists.
Go here to see a more complete dossier.
This -is a masterful, piece of work....the subtleties, the elegance - use of pattern, materials and tactility provide a serene and supportive backdrop for the intense detail of Giacometti's works. The architect is to be applauded - for the restraint, the control - the vision by which they created this cocoon. Bravo!
A part of our mission here at DR•I is to search for the unusual, the unexpected - the whimsical, humorous and downright clever design ideas - here are some such.
Phew! Glad that's out of the way....but, fun, no?
We were, before we got side-tracked, talking about art....of course there are numerous artForms, yes?
It is not only the province of oils, acrylics, canvases and such - no?
Watercolour is a most difficult medium - very unforgiving.....as an artist, if one makes a mistake with a brushstroke, it cannot simply be painted over....the medium does not allow for that. Whereas with oils and acrylics - if a brushstroke goes awry, well. . . . load up some additional pigment and paint over.
So I have great respect for the water colourist, for the vision and the discipline required to produce their work.
One such, is an artist featured previously, and an old friend (former interior designer) Suzan Carsley.
Suzan emigrated from Montréal to New Brunswick some years ago and has devoted herself to her painting - her art. She is an old friend and I know/knew the family well, worked with their great design store on many occasions. But here - here is something that moves me....
Quilts - quilts on a line on Fogo Island.....(more about that unique and special place next issue)
It's a 'happy' painting - it resonates with the salty airiness of the sea, an almost mystical representation of a vision experienced.
And then - then there is this......for me she has the ability to evoke a sense of gravity-defying airiness.....
for me, I float, when I gaze at this. Her work is viewable at: www.facebook.com/suzancarsleyartist and you can reach her at: email@example.com
Great work Suzan!
“All our guests who have been travelling with us are concerned by the climate crisis.”
The above quote by Janne Honkanen, founder of travel agency Luxury Action, might constitute the greatest irony of the 21st century. Starting next year, Honkanen’s ‘eco-conscious’ clients will stay in heated, all-glass pods at the North Pole — otherwise known as the most over-engineered igloos ever designed.
According to Dezeen, Honkanen is aiming to create “the northernmost hotel in the world”, with glass capsules being transported to the polar ice cap for the duration of April each year. For the other 11 months, they will be located on a glacier in Svalbard, a Norwegian archipelago between the North Pole and Scandinavia.
Do these glass igloos look cool to stay in? Absolutely. It would undoubtedly be an incredibly unique experience to lay in bed, looking out at the stars and possibly the Northern Lights, and see a polar bear walk by. Luxury Action’s itinerary includes hiking across a glacier, meeting indigenous people and arctic scientists working nearby, and viewing seals, polar bears, arctic birds and other wildlife.
Before you start packing, though, you should know that this cool experience doesn’t come cheap: true to its name, Luxury Action is charging $100,000 for a five-night stay. But beyond the impact on your bank balance, there is the cost to the environment that such a project would surely cause
For me, I could really get off on the cosy hermit-like envelope......at least for a couple of days. You?
Mood . . . . . . do we concern ourselves with, mood?
This home, in Chile, has a palpable mood.....can't you feel it?
Southern Chile's harsh climate brings extended periods of rain and cold temperatures but what it lacks in sunshine, it makes up for in rugged landscapes. Casa KDDK is no exception. Its site is enveloped in lush, green meadows and dense forests. To take advantage of the views, the zinc-clad dwelling is sited on the property's highest point, also allowing the home to attract the largest amount of natural light. These incoming rays are brought into the interior through expansive glazing and when combined with an all-white palette, create a light, airy atmosphere even in the darker, dreary seasons. The transparent facade also keeps the interior connected to the scenery year-round while iron and glass screens fold open to allow for a summer terrace in the warmer months.
Photos: Karina Duque
SAN FRANCISCO CLOCKTOWER PENTHOUSE
Unique, historic, and impeccably designed, the San Francisco Clocktower Penthouse leaves little to be desired. The 3,000-square-foot condo is housed on the top four floors of the former Max Schmidt Lithography Company headquarters. Bright and airy, the two-bedroom interior features an open floor plan with spacious living areas that include a game room and home office. The building's heritage is highlighted with exposed brick walls and steel beams while contemporary furnishings complement the industrial shell. The crowning jewel of the property is the Clock Room. Located at the top of the tower, the lounge is surrounded by the mechanisms of the fully-functional clock. The whole thing is wrapped in a 1,300-square-foot terrace, affording expansive views over the South Beach area.
Photos: Compass Real Estate
What an awesome, 'pie-in-the-sky' kind place......lottery winners, mega-gazillionaires - start your engines.
Emory Motorsports is a staple of California’s car culture, and even more so in the recreation, and restoration, of Porsche’s most iconic platforms. Over the years, the company has gifted a handful of the industry’s most lauded vehicles to the masses, helping it to gain a reputation that’s nothing short of legendary. Now, they’ve pushed the boundaries even further with this 1959 Aquamarine Transitional Speedster.
The vehicle you see here was inspired by Porsche’s original 1954-1958 “Speedster” model, adopting an open-air silhouette, racing-inspired aluminum tonneau cover, and a similar headrest hoop and cage as its progenitor. To give the car the revered “Emory Outlaw” look, the team applied a period-correct Aquamarine Metallic paint, a handful of bespoke bonnet modifications, and a reverse-louvered deck lid, complementing the vehicle’s Charcoal square-weave carpet interior, Hydes’ red leather upholstery, and a triple-gauge speedometer/tachometer inspired by Porsche’s iconic 904. To support the 205-horsepower Emory-Rothsport Outlaw-4 engine’s additional figures, a modified 901-style IRS suspension was contracted, alongside adjustable Koni dampers, custom rotors, and calipers, and a set of 15×5 Tecnomagnesio wheels on Dunlop rubber.
Go here: :
Just a wayCool light fixture - classic, elegant - but so practical......of course that is only applicable if you, read.....as in books.
Found in factories and offices across America in the early 1900s, our swing-arm fixtures provide clean, targeted light with a timeless, vintage-inspired design. A great space-saving solution, our Imbrie Articulating Sconce features strong pivot joints for an amazing range of movement and a turnkey socket, so it can be turned on/off at the fixture or the wall switch. Highly customizable, the Imbrie Articulating Sconce comes in an array of color combinations for a truly tailored look.
DETAILS YOU'LL APPRECIATE
Formally titled the 2019 Small World Photomicrography Competition, Nikon’s Microscopic Photography Competition calls for entries as “a means to recognize and applaud the efforts of those involved with photography through the light microscope.” Thus, that means all of the images are shot under a microscope, using some variant of photomicrography. This year’s winning shot, by Teresa Zgoda and Teresa Kugler, depicts a turtle embryo in vibrant hues, courtesy of fluorescence and stereo microscopy. Some 20 other winning images (including a tiny portrait of a small white-hair spider, a pregnant planktonic crustacean and more) were chosen from 2,000+ submissions from 100 different countries.
Details are available here:
With a rapidly aging population, an inward flux of new urban residents, and developmental pressures forcing displacement and homelessness on growing numbers of people, housing design finds itself at a critical nexus in the United States.
And while many architecture firms are surely working on innovative housing projects, few have dedicated teams focused on pursuing housing innovation from an integrated, transformational perspective. KTGY Architecture + Planning is one such firm, however. The R+D Studio at KTGY exists to "explore new and emerging ideas related to building design and technology," with an eye toward integrating new housing developments into their surroundings, re-thinking existing design paradigms, and prototyping cost- and time-saving construction approaches all the while expanding the realm of housing design to include co-living arrangements, contemporary senior housing models, and supportive housing.
We talked with Marissa Kasdan, director of KTGY's R+D Studio, to discuss how well-designed housing can serve more people, the changing nature of domestic spaces, and to highlight innovations coming out of her team's work.
What is the focus of KTGY’s R+D Studio? And of your position?
KTGY’s R+D Studio was created as a dedicated effort focused on furthering KTGY’s vision, “to move the discourse of architecture forward by continuously searching for better.” With that goal in mind, the R+D Studio explores new and emerging ideas related to building design, shifts in residential demographics, and trends in the way people live. My role, as director of the R+D Studio, is to maintain the focus of the studio in a way that also supports the design efforts of the various studios within KTGY. I coordinate with studio leaders from KTGY offices across the country and look for opportunities to develop design concepts that support the building types and market segments we serve.
The R+D Studio seems to pursue an integrated approach that considers design, urban-scale considerations, and constructability issues simultaneously. Can you share an example of a project (or an approach/idea) that has most benefited from this arrangement?
The Skytowns concept considers how townhome unit plans in a high-rise configuration could maximize building efficiency while minimizing elevator stops and shared circulation space, all while providing multi-level unit layouts in an urban setting. On every other level, the townhome units recapture the corridor area as unit area, increasing the overall building efficiency to nearly 90%. The inherent nature of the multi-story units creates a unique opportunity for vertical variation along the high-rise façade.
One of your research focuses revolves around expanding the definition of co-living. How is the research coming out of the R+D Studio informing the design of unit plans for this type of housing?
Initially, we developed a co-housing concept to address urban affordability for young professionals trying to manage their rents, leading to the development of an 11-bedroom, 11-bathroom prototype unit. Since then, we have discussed with many of our clients and other interested individuals the opportunity to apply the benefits of shared living in new ways to help address a variety of issues and serve a wide range of demographics.
With housing affordability continuing to challenge cities and developers, shared living has the potential to cut housing costs while also providing the social connectedness that has been dwindling from our society. Families, seniors, and low-income individuals are some of the demographic groups we envision could greatly benefit from the inherent qualities of co-housing communities.
Everybody, repeat after me -'I LOVE LEO' • Leonardo Bechini is a standout artiste in photography.
I had the great pleasure of befriending him, when as a student, he took a course I was teaching at College Inter-Dec.....2002 I believe. We have remained colleagues, friends since. His sensitivity and vision is awesome. Based in Milan he is a senior design executive for European-based fashion enterprises.
Some cool details I shot whilst I lived/worked in Miami for Royal Caribbean Cruise Lines.
Art - and more, art
GGregoGergory Deane is a contemporary California artist specializing in expressionist painting. His body of work features fields of color and organic texture paired with free movement and dramatic gesture to express profound emotion on canvas.
“I sometimes have certain things in my mind when I create each piece, perhaps the emotion of joy or tranquility when I choose my colors, or perhaps the influence of the Orient or an obscure European tradition when I layer in bits of paper or gold leaf. This is new art, but tradition is frequently there too.”
Deane was born in Oregon and moved to California as a teenager he was strongly drawn towards fine arts, particularly expressionism and character studies. Design school brought him to San Francisco where he entered into the world of interior design during a very exciting period, interiors began to be recognized as functional art, contemporary design created the setting for large format contemporary paintings and sculpture. He met his wife Margo during this period and she inspired him to transition to his true passion for painting and mixed media art. Gregory opened his studio and began his first series of paintings, Pages of Time motivated by an Asian influence. The true spirit of abstract expressionism flows through his body of work, color, tone and shadow have always played a fundamental role in convergence with a sense of depth and motion.
Gregory Deane’s abstraction integrates mixed media. “Including a photograph or words from a newspaper, bits of tissue paper or whatever might be at hand,” the artist reports, “I can evoke a grounding feeling of place and a sense of time, whether it’s an African jungle or a Chinese market.”
Deane has been profoundly influenced by the masters of contemporary art, Franz Kline. Robert Rauschenberg and the color work of Paul Jenkins. “The poetry of life is my greatest influence, though,” Deane says, and you see it in the symphonic expression of his paintings.
Deane's work is in the collection of the Accademia delle Arti del Designo in Florence, Italy where he was the first American to have an exhibition in the museum's history. Accademia delle Arti del Designo was founded by Michaelangelo, and is an important part of the world of influential art in Florence. Deane also has a painting in the permanent collection of Florence’s Uffizi Gallery and enjoys a long list of prominent collectors.
Gregory has a beautiful studio in Palo Alto that is open by appointment, it is the best way to see the artist in action and his current works. The opportunity of seeing him work or viewing his most current pieces is an unforgettable experience.
If you care - and many of you might - Kurt Cobain's home is up for sale.....
It's such a lovely piece of architecture
There is a visceral sadness to it, methinks
The Related Companies has released new renderings and a new name for Thomas Heatherwick’s High Line project at 515 West 18th Street: Lantern House. The pair of residential structures is located along Tenth Avenue between West 18th Street and West 19th Street and flanks both sides of the High Line [...]. The development is Heatherwick’s first residential project in New York City and in the United States. SLCE Architects is the architect of record.
Thomas Heatherwick is expanding his foothold in New York City: after creating quite a stir with the Vessel at Hudson Yards and the under-construction floating Pier 55 park, the London-based studio is teaming up with developers Related Companies again for the practice's first residential project on this side of the Atlantic, called Lantern House.
Prices for the 181 residences will start at $1.7 million for a one-bedroom unit
IMHO - this is a brilliant innovation in regards to fenestration design......it provides a 'fishbowl' kind of experience along with contributing a unique and distinctive style signature to what are primarily the run-of-the-mill sheet pan architecture of most of today's condo designs.....BRAVO. M. Heatherwick!
So - that's it. Today is the first step, in a journey. . . . . I am hopeful that many/most of you will accompany me.It will be, as it has been thus far - a journey of discovery.
Bon voyage ã tous.....
Isn't that what it's all about? Less words - more pictures.
This issue, that about sums it up.
Clever, yes? I, like c l e v e r . . . . and fact is, clever only really occurs in graphic design. Don't think I've ever heard 'clever' applied to architecture - or interior design.
Kazuyo Sejima has created some of the 21st century’s most captivating spaces, from the distinctive metal facade of the seven-story New Museum tower in New York City to the Toledo Museum of Art’s Glass Pavilion, which features 75,000 feet of curving, transparent walls. Her firm, SANAA, is known for its elegant, idiosyncratic design; Sejima and her partner, Ryue Nishizawa, were awarded the field’s highest honor, the Pritzker Prize, in 2010.
But recently, Sejima embarked on a completely new kind of design project: a building that moves. The Japanese architect is the lead designer of a new bullet train created by Seibu Railway, in Japan, called the Seibu 001 series, or Laview. The project, which was announced in 2016, is now complete—and Sejima’s design may make it the most relaxing commuter train ever constructed, even as it exceeds speeds of 200 mph.
Sejima’s brief was to design something “never seen before,” a train that could establish a design language for the broader Seibu fleet and its next 100 years of transit, hence the “001” in the train’s name. As for “Laview,” that’s an acronym: The “L” stands for “luxurious living,” and the “A” is for “speedy like an arrow.” The “View” is just the view, of which there is a lot—to accentuate the train’s path through the Chichibu mountains.
True to its name, the train’s front features a sweeping, five-foot-wide curved glass window—the largest on a train in Japan. Meanwhile, each of the passenger cars is focused around expansive, 23-square-foot windows that begin at your seat bottom and stretch well above your head. To sit next to such a window must feel like you’re not riding inside a train at all. The body of the train itself is coated in paint that isn’t just silvery metallic, as it might first appear. It’s actually a custom aluminum coating picked for its exact reflectivity, which is meant to softly reflect the landscape right on the train’s exterior.
Then there’s the interior, which is really the most enticing part of the ride. Designer Yoko Ando led the textile design behind the train’s 422 velvety, mustard-hued seats. The armrests are compact and hint at necessary efficiencies built into high-speed rail. But the seat design itself harkens to the organic forms of Arne Jacobsen. It’s all topped off with a vaulted ceiling that diffuses soft light into the cabin.
All in all, the 001 series looks like an absolute joy to ride. And it makes us ever-so optimistic about the next 100 years of train travel.
ABOUT THE AUTHOR Mark Wilson is a senior writer at Fast Company who has written about design,
technology, and culture for almost 15 years.
is work has appeared at Gizmodo, Kotaku, PopMech,
PopSci, Esquire, American Photo and Lucky Peach
Sit down, why don't you?
Okay - where do you suggest I sit?
Well, I dunno - try that one over there....
You mean this one?
What do you think?
Uhhhh - like I'm gonna be swallowed up....digested, maybe?
But it's surprisingly comfortable.
Okay! So here's a few others to try. . . .
A 'colour coward'....qu'est-ce que c'est? It doesn't show up in internet searches, but it is a rather disparaging term that my designer contemporaries would often use to sum up a client who's, afraid of colo(u)r - in either spellings. You probably know someone - yes? They tend to dress in somber tones - or default to black (can't make a mistake with black)......but don't you just come alive when you spy a woman (generally a woman) who is just a riot of carefully calculated tones, timbres, terrific colours......who CELEBRATES colour? I applaud it - always. And I applaud DACOR for their commitment to colour in their most recent appliance offerings.
The photograph is one of Cinque Terre, Liguria, Italy. It is is a string of centuries-old seaside villages on the rugged Italian Riviera coastline. In each of the 5 towns, colorful houses and vineyards cling to steep terraces, harbors are filled with fishing boats and trattorias turn out seafood specialties along with the Liguria region’s famous sauce, pesto. The Sentiero Azzurro cliffside hiking trail links the villages and offers sweeping sea vistas.
Dacor allowed Cinque Terre to be one of the inspirations for it's new ranges:
Is that not a DOUBLE WOW?
The rolling hills of Italy's Cinque Terre are dotted with bright, warmly-hued village buildings that make it feel like summer all year long. Even if your home isn't perched on the Italian Riviera, you can channel this charming coastal haven with a cheerful orange stovetop.
Design a kitchen that would make Julia Child jealous with a French-influenced stovetop. Inspired by the lavender fields of Provence, it’s feminine and sophisticated all at once.
From the crystal clear Mediterranean Sea to picturesque white buildings with cobalt roofs, Greece is a study in blue. Transform your bright, light-flooded kitchen into a Santorini-inspired vision with a corresponding stovetop.
Morocco is a kaleidoscope of color, from electric desert sunsets to marketplaces filled with fragrant spices and hand-woven rugs. A brilliant pop of fuchsia is the perfect way to reflect its rich, exotic culture.
So, come on - all you colourCowards - step up! C e l e b r at e your special colour.
. . . .a DACOR kitchen
Things - things, sometimes just grab you. I know I'm susceptible to it.....I love tactility - it's the unknown sense - in a way...... how we feel, when we touch - be it skin, steel, glass, granite - a banana - it is a communications channel that we don't usually embrace when we are out looking for, things.
I, like, this t h i n g!
Oh! What is it? Yes, well there's that isn't here......it's a notepad......Made in the heart of Paris in a workshop built by Gustave Eiffel, these writing pads are an elegant step up from your average legal pad or sticky note. The sturdy metal frames hold 200 sheets of 5 1/3" x 8 1/4" paper, micro-perforated for easy removal. Non-slip backing keeps them in place during aggressive note jotting, and the textured brass nuts at the top make swapping in replacement pads a breeze. Available as a desk pad filled with blank paper, and the option to add on refill sheet sets of both blank or graph paper as desired.
Gonna, most definitely, get me one of these.....the desk pad including blank paper is $35.00. Notepad refills, blank or graph paper, are $7.00. Order from here.
So - while we speak of Morocco.....sortof, check this out:
Architects Karl Fournier and Olivier Marty of Studio KO keep offices in Paris and Marrakech—which is probably why they are experts in blending Eastern and Western architecture.
Working on luxury projects for the likes of the Hermes family, their firm Studio KO designed this minimalist mountain lodge in the foothills of the Atlas Mountains in Morocco. Blocked prisms, earth tones and exotic textures mark the home, which they’ve dubbed Villa E.
Nowhere is the marriage of cultures more evident than in the use of locally sourced Ouriko stone, with its characteristic reddish color associated with nearby Marrakech or “The Ochre City.” When stacked to form the house’s exterior, its brick-like appearance evokes the Midwest’s prairie architecture.
E C L E C T I C
According to the Cambridge dictionary, the definition of e c l e c t i c is:
Methods, beliefs, ideas, etc. that are eclectic combine whatever seem the best or most useful things from many different areas or systems, rather than following a single system
My dear friend, Monica Parker, is the epitome of e c l e c t i c
. . . not only that but she is truly one of the funniest people there is.
She is an author (Getting Waisted, OMG [How Children See God] - and stay tuned....there's another one soon to be released).
She is my friend - since high school, she is my friend. And although decades went by without us seeing each other we re-connected via social media about 10 years ago, and then had a great lunch at Toronto's Union Station last summer whilst I was en route home to Montreal. Over the last 8 weeks I have been engaged in a special assignment in Toronto - the city of my birth. As a result I literally lived, and worked there up until last week. More about that in the next issue.
But, on one occasion I spent a delightful evening with Monica and her very talented husband Gilles Savard. And with another friend/contemporary of that same time, Nina Keogh - a world-renowned master puppeteer (The Polka Dot Door, The Friendly Giant, ToDAYS SPECIAL and many others) - and is now a highly sought after artist.
All that to say, it was a great evening, spent in Monica and Gille's home, which is, like she is, e c l e c t i c
As can be seen from the following photographs.
Note the antique samovar in the fireplace....the bust to the right of the TV was done by a Parisian sculptress friend
Masterful! A natural affinity for the unusual, the bizarre - perhaps it comes out of her unique sense of humour. And Gilles! What a marvellous talent. Professionally he is a costume designer, working in the world of movies/film. It was he that actually upholstered all the chairs seen here, made the harlequin coffee table......trés spécial!
I worked with Monica last year to re-design her web-site : : www.IamMonicaParker.com. Check it out.....particularly the IKALAALALAL part......
Merçi Monica et Gilles - for being my special friend for over half a century!
Oh! One other thing.....I think I need to run out and buy this chair for Monica - it is the perfect complement to her home:
Heck, it was listed at only $60,000.USD a few years ago. . . . . . what's $60,000 between friends?
While on the topic of Gio Ponti and Piero Fornasetti here is some interesting background on this pair of most talented furniture designers.
Ponti & Fornasetti
A Historic Collaboration
One of the most historic collaborations of the 20th century was that between Italian designers Gio Ponti and Piero Fornasetti. Though their styles differ, their creative genius is evident in all of their projects and each designer made vital contributions to the history of art and architecture.
Ponti and Fornasetti first worked together in the 1933 forming an important relationship that would last for decades and over the years they completed many prestigious projects according to an established and well-tested pattern: Ponti designed and Fornasetti decorated. Together the duo completed many notable interiors including those for ships, villas and hotels as well as private commissions for the Italian bourgeoisie. While their collaborative designs were included in the 1951 Triennale they were never mass produced.
Ponti designed, Fornasetti decorated and Pietro Chiesa executed the designs.
There has been, t a l k . There have been questions, there has been talk. There has been questions about the continuity of DRI.....we have attempted to answer them, honestly. In that process, a great deal of soul-searching has occurred. This issue marks 3 years of monthly publications of DesignReview•International.
We set lofty goals - a multi-lingual platform for one.....no ads for another - consistency, continuity and dependability, most importantly.
But, this is important - at least to us here at DRI. There was, for many, many reasons, no issue last month. What is really important is that no one missed it. I got not one query, 'Where is this month's issue?'.
Not one expression of concern, such as, 'Hey - you still alive in there?' Nada - zilch - zero. I am not about to elucidate on the reasons for this gap....they were legitimate and necessary. But before I continue,
I want you to read/review the following insertion.
Like, 'What is this?'
It's a digital magazine - a US publication that has two distinct characteristics - one, it has NO ads......two - it sells for $140.00 US per year - which includes two bound issues. Yikes! That makes it approximately $12.00US per month
B IS AN AD-LESS MONTHLY PUBLICATION THAT INTRODUCES
ONE WELL-BALANCED BRAND UNEARTHED FROM AROUND
THE GLOBE IN EACH ISSUE. BETWEEN ITS COVERS,
B NOT ONLY SHARES UNTOLD STORIES BEHIND THE BRAND
BUT ALSO ITS SENTIMENT AND CULTURE THAT ANY READERS
INTERESTED IN BRAND MARKETING AND MANAGEMENT CAN
LEAF THROUGH WITH EASE.
Magazine B's mission is to focus/feature on one specific manufacturer, each issue. This month is is Danner, based in Portland, Oregon. Founded in 1932, Portland-based Danner started out by crafting boots for loggers. Based on the strong quality of work boots that the company has become known for, Danner has expanded its product range to outdoor and fashion and has remained dedicated to the ethos of craftsmanship that has underpinned the brand for 85 years.
So - it is a really cool magazine. Some recent focus issues have been on Lululemon, Google, Vitra, Leica, etc.
it brings us to
it brings us to
as of the next issue DesignReview•International
will be available on a pre-paid subscription basis of
$25.00 CAD PER YEAR
This will be for 12 monthly issues and one, end of year retrospective and forecast
This will require you, the readership,
to be pro-active.
An Interac or PayPal payment processing
directed to inbox@DesignReview.International
needs to be received no later than October 31st
in order to maintain a 'live' subscription.
DesignPreview will re-commence in the next week or two......that will remain a free design 'gazette'
It is with great hope that i look forward to continuing our relationship - I have a passion for the platform which we have created, have a passion for finding wonderful design-related information and goodies.
Hopefully you all share that.
Ahhhh! But what means i d e s ?
In the ancient Roman calendar, each month had an Ides. In March, May, July, and October, the Ides fell on the 15th day. In every other month, the Ides fell on the 13th day. The word Ides derives from a Latin word, meaning to divide. ... It had 365 days and 12 months each year.
Oh well! Who's counting? Who's looking - perhaps IDESX2 means the end of the month - which is when the issue is generally released - ooops! A little late. Apologies. Like I said, 'Who's looking?' , 'Who's counting?'. But with the advent of the new PREVIEW flash editions we're run a touch ragged this month - again, apologies. But gee! Look - it's all a big bonus, right? I mean we released 3•6 ++ Issues 1, 2, 3 of Preview.....so, I don't feel quite so bad. Just wait -we'll hit our rhythm.
The ADASTRA - $13million USD
Originally built to haul Hong Kong businessman Antony Marden and his lucky guests all over the world, the Adastra Yacht is now available for sale. Its design, from Britain's Shuttleworth Design, combines luxury accommodations with the speed, fuel economy, and seafaring capabilities of a stripped-down cruiser. Features of the nearly all-custom boat include a superstructure crafted from carbon fiber with a Nomex honeycomb core, a glass and kevlar foam sandwich hull, incredible on-deck lounging areas, a full-width master bedroom with full bath, two guest cabins, a massive Caterpillar C18 main engine cranking out 1150 hp, a top speed of 23 knots, and a 10-knot cruising range of 10,000 nautical miles.
Told you it's a hotel.....just not quite ready to take reservation, yet.
CLIFF CONCEPT BOUTIQUE HOTEL
Every year, around 200,000 tourists hike up Noway's Preikestolen to get a glimpse of the incredible views. The Cliff Concept Boutique Hotel wants to give those travelers an extended stay on the edge of the 1,982-foot bluff. Anchored to the rock face, the five-tier structure would cantilever over the Lysefjorden Fjord where rounded balconies will overlook the Scandes scenery. What makes this hotel a potential bucket-list item is its pool. Suspended over the water, the infinity pool features transparent walls that give swimmers a birds-eye-view of the landscape below.
Photos: Hayri Atak Architectural Design Studio
This is the brainchild of Hayri Atak, a US educated Interior Architect (a profession not generally acknowledged in North America but is in Europe and Asia.)
He was born in Eskişehir in 1989. After completing his primary school and high school education in Izmir, he studied Interior Architecture at Istanbul Technical University (ITU) in 2007. During this time he also travelled to the United States and studied at the Auburn University’s College of Architecture, Design, and Construction. At Auburn, he had the opportunity to attend workshops at the world-famous Rural Studio. After graduating from ITU with both a Bachelor’s Degree in Interior Architecture and a Master’s Degree in Facade Design and Technology, he studied Interior Hotel Design at the Nuova Accademia di Belle Arti (NABA) in Milan.
Hayri Atak has received awards from many design competitions during his academic and professional life, both as an individual and a group. Having started his professional career during his undergraduate education, Interior Architect Hayri Atak has experience in a wide scope of interior and architectural projects including: hotel design, cafe/restaurant design, store concept design, villa design, clinical design, housing design, and facade design. In addition to his interest in product design and furniture design, he has recently been working on parametric designs, prototype techniques, molding & serial manufacture techniques of products and facades, and robotic architecture. Hayri Atak, who is both a lecturer and organizer of workshops in various universities, established Hayri Atak Architectural Design Studio in 2017 with his vision and dream for creating a permanent architectural brand that guided the industry.
Paul T. Frankl (1886 – 1958) was a furniture and interior designer born in Austria. At the age of 28 he moved to the United States. It was here that Frankl found his true aesthetic voice and style. Frankl was pre-eminently an advocate of the American Modernism. He believed in a new, optimist world. Frankl witnessed two World Wars and aimed to create a new, brave and upward new world order through his design. He has written extensively on the subject of Modern architecture and design and skyscrapers where one of his trademark features. The new structure of the skyscaper, rising up into the sky broke completely with the constraints of the past. The towering architectural form expressed the excitement and optimism of a new era.
So, no one got it right. . . this was featured in DesignPreview Issue #2.
I love cork - I have used it for flooring in 3 kitchens so far. My clients love the colours it's available in and it is so comfortable underfoot. For those who question its durability, consider this - it is used in many high traffic restaurants and even as flooring for basketball courts. In Montreal it is distributed by Duro-Design in Laval.
The texture is gorgeous - it looks like leather but because it is a rigid material it can be used in form shapes like this really cool sofa. Check out the other photographs to better understand how it might be adapted to house storage compartments etc.
Other cool designs by Paul Frankl
Ray's Dive Bar - 177 Chrystie, NYC
You might well ask, 'Why is this here in a design journal?'
Simple answer is, 'Because it is a really great example of throwback funk - of days gone by, of style that only became, a style, long after.' That's why - and because, I like this kinda funk!
To swing by spots previously developed by NYC dive bar Ray’s all-star team might make one wonder how they ended up partnering on this particular watering hole. Much attention has gone to the involvement of actor Justin Theroux, but the others involved (including Jon Neidich, Taavo Somer, and Carlos Quirarte) have developed some of the most exciting and design-forward hospitality ventures in the city. From The Happiest Hour to The Smile, Acme and Freemans, Lemons at The Wythe Hotel and even The Rusty Knot, their combined impact on nightlife and dining has been markedly substantial. And yet Ray’s (177 Chrystie Street) is a destination for a Miller High Life and some whiskey.
Jon Neidich, the chief executive at Golden Age Hospitality, longed for the nightlife scene of his early adult life in the East Village. Remembering their affection for dives, Neidich and his collaborators drew out attributes from favorite former hangouts. Ray’s began to take shape: a homage to ease, an update to a beloved form of socializing.
“The dive serves the essential role as the neighborhood watering hole,” Neidich says, “Where someone’s a local, where bartender and patron have often developed a relationship. You walk up to the bar, you sink back drinks quickly, you put your favorite song on the jukebox, you just have a good time.”
NYC has changed, though. And, specifically, so has the LES neighborhood where Ray’s is located. “I’ve actually had my eye on this corner for about seven years,” Neidich continues, “From back when I lived on Grand and Essex Street. When Taavo and Carlos tapped us to be involved, it was perfect timing.” The location previous held the fashionable Le Turtle, an acclaimed vision of Quirarte and Somer. Neidich and crew preserved a nook of Le Turtle, but the rest of the venue has become wood-paneled and low-key.
Ray’s isn’t a dirty dive. In fact, it’s more akin to what writer Noah Rothbaum coined in 2016, an “upscale dive.” Arguably, this is the most important category of bars in NYC today—featuring a quality beverage program (here directed by Jim Kearns), welcoming decor and an open, easy atmosphere. As Neidich says, “I think we endeavored to create our version of a dive bar, which meant we would have a clean, well-thought-out space, good product, and great bartenders.” And this is what is delivered.
Neidich says visitors can expect good vibes every night and, “that feeling of comfort.” He wants Ray’s to be a place where people feel an affiliation, “somewhere you could go anytime on any day if you needed to and chances are you see someone you know.” Ray’s is definitely a neighborhood bar, belonging to the LES and its inhabitants by proximity, but anyone who walks in easily realizes it can be theirs too.
Images courtesy of Kirsten Francis
David Graver is Senior Editor at COOL HUNTING, and a contributor to various print and digital outlets. His areas of expertise include art, technology, travel, film, fashion, and hospitality, with further specialization in watches, spirits and cocktails. David represents Cool Hunting around the world at events including Baselworld, Milan Design Week, Miami Art Week, Tales of the Cocktail and New York Fashion Week, as well as gallery openings, product launches and cultural happenings.
Lab Lamp is meant to last for generations with a bent and folded construction and a hand-cast, square tube neck and circular base. Our archetypal version of a library light, the double-headed curved shades have a folded edge and are directional and rotate. Inside, a black porcelain socket secures the bulb. The pull brass stud link anchor chain is custom made, and the dimmer switch is knurled. The plug features a twisted fabric cord.
Lab Floor Lamp has telescoping height, which is held in place by an anti-fatigue pin that will never fail. Knurled metal wire brushed connects to the wrapped fabric cord with foot pedal switch plug.
Handcrafted in France, in a selection of Signature and Distinctive alloys with our Roman and Williams Guild Living Finishes and bespoke handblown glass.
Stephen Alesch and Robin Standefer’s Roman and Williams Guild Original Designs are each branded with our insignia and delivered with a Certificate of Authenticity.
This is, Tuscany
These exterior photographs are probably what one would imagine of Tuscany architecture and style - old, weather-worn, genteel - gentle even. And that is all true - but enter through the front door and it's as if you plugged yourself into an electric outlet!
Text description provided by the architects. In the landscape of Puntaldìa, in Sardinia, the architect Simone Micheli, designed House Boat – a charming contemporary-style apartment. A space dedicated to redefine the conception of luxury, materializing the relationship between man, space, time and no longer conceived as the opulence of goods.
Removing the superfluous, the environment acquires aesthetic rigor and the value of existence emerges clearly in the attention of every detail. The project is driven by the ideal of life on a boat, always open to new adventures but perfectly organized in the management of spaces and in the optimization of functions, turning into avant-garde thinking in the balance between the future of technology and the traditional charm of the ancient art of master carpenters.
The space therefore multiplies its ability to satisfy the desires of contemporary man: in the sleeping area, for example, the door of the large wardrobe opens a bathroom area, dedicated to its guests while, in the children’s room, a careful and ironic study of shapes and spaces allowed the placement of four beds.
The shapes leave the opportunity to expand, free themselves and reach the state of global well-being. The colors brighten up the space, heightening its dynamism, the shapes of the furniture create different levels that do not cease to overlap and recompose on the basis of continuous changes in perspective. The beauty of the outside world penetrates inside the apartment with large windows and generates clever mixtures of dreams and reality.
Architecture and Design by : : Simone Micheli
© Jürgen Eheim
MAN! Ain't she purty? She surely is! This is a classic Indian Motorcycle reproduction.....drooool!
The reason it's even here, in this issue, is because a) it's super cool design and b) because of this : :
And the reason this is here is because - well, it's also just SoCool! A sidecar was converted to a BBQ pit!
Outrageous! But the motorcycle is also an Indian Motorcycle - which led me to the forenoted beauty.....
INDIAN X TRAEGER WOOD-FIRED GRILL MOTORCYCLE
Custom builder Thor Drake had a dream to combine outdoor grilling with his passion for motorcycles. The result is the perfect marriage of food and machine — a sidecar-mounted grill that's with you wherever the open road takes you. Thor took a Traeger Ironwood 885 wood pellet grill and fabricated a custom sidecar that matches the classic lines of the Indian Springfield Darkhorse perfectly, complete with mounting points for utensils and pellets for cooking on the go. The bike will debut at the 2019 Sturgis Motorcycle Rally.
Moi? I'll take one of each......https://www.indianmotorcycle.com/en-us/
I dunno - maybe you're all right - maybe I am losing my mind......seems I have gotten hung up on these fabulous retro styles - perhaps it's an uncontrollable urge to wend my way back to earlier times - to undo the present, return to the past. I love the sense of tactility that seemed to be prevalent in the designs of the 30's and 40's - they do not exist any more. Touch - the feel - silky velvet, lush corduroy - elegant matelassé.......hand-woven silks......not here no more it seems. And so when I encounter these wonderful designs that are evocative of Phillip Marlowe, The Thin man, Billie Holiday, Glenn Miller - I swell up....I'm sure I lived in those times. And so, this wonderful teensy trailer that was designed by Pierce-Arrow, moves my heart.....maybe you feel something too?
Many American luxury automakers used inventive tactics in an attempt to survive the Great Depression. Few were more inventive than Pierce-Arrow, which decided to build a luxurious travel trailer to accompany its automobiles.
Produced by a separate division at the Buffalo factory, the Pierce-Arrow Travelodge was built to the same outstanding standard as the company’s cars, with a steel frame covered by sheet aluminum outer panels, and an interior of beautifully finished birchwood and gum with linoleum floors. It was mounted on fully independent suspension and featured a Bendix hydraulic brake, actuated by a vacuum cylinder connected by hose to the trailering car. Three models were offered, the smallest being the 13.5-foot Model C priced at $784, with all equipment standard.
The Guyton Collection’s Model C was acquired from Charles and Veronica Orin of Ruidoso Downs, New Mexico, its owners since 1956. The interior features a handsome dinette, with comfortable booth-style seating and a linoleum table, which folds into a double bed, as well as an insulated icebox, a hand-pumped sink (designed to draw from an external source), a Prentiss-Wabers Auto-Cook-Kit camp stove, and a wood-burning stove. Extensive storage and counter space is provided as well. All windows are fitted with modern safety glass and curtains, and open to mosquito screens, including the rooftop hatch, allowing for well-ventilated living while on the road.
Accompanying the Travelodge are a variety of charming period accessories, including a blue speckleware dining set, a Philco table radio, and a three-piece set of leather luggage, amongst others, completing its wonderfully detailed presentation.
The ideal partner to one’s Pierce-Arrow, this unusually luxurious and beautifully built trailer is the ultimate tour accessory and the greatest prize for the determined Full Classic enthusiasts.
I'm thinkin' that all ya wants with this is the gorgeous pistachio/devon cream Indian Motorcycle - oui?
Speaking of the past - P O L A R O I D is a name - a brand name that only those of us of this generation are familiar with.....we all, mostly had one. And prior to digital photography every professional photographer used a Polaroid as his 'test' shot of a scene - you had to wait, wave the wet print about, in order to assess it - determine if it was good enough, angle-wise, to proceed with the full frame shot.
Man, was it a tedious process. But now, Polaroid has experienced a digital renaissance.
P O L A R O I D Meet the world’s brightest camera. This truly state of the art innovation features an extra bright flash developed in collaboration with Hawkins National Laboratory. Pressing the shutter button sends light waves towards your subject, which reflect back to create perfectly illuminated pictures in or out of the shadows. With its unique blue and red colorway, this camera is guaranteed to stand out amongst your collection. Easy to use and precise in its function, you’ll feel like a pro and shoot like one, too. This Stranger Things Edition is here just in time for the new season, and comes with a pack of i-Type film, featuring a random selection from 16 colorful and bold designs inspired by your favorite Hawkins hangout spots. Every pack includes 8 out of 16 spectacular designs, so you’re guaranteed a frame that’ll match your mood. Get ready to collect, swap and share with your closest friends.
P O L A R O I D : :
Here Kitty, Kitty. . . . can you spot le minou?
This is a 3D model of a proposed addition for an old client.....
a joint effort by myself and my star student Vanessa Bertran.
'Nuff said', he said. And i replied, from within the dank, damp fog that swirled about the gas lamps that were making a valiant effort to penetrate the mist, 'Why ever might thee think such? The night is still young - and we have to do our duty out here....'
That's it for Issue 3•7 - whatever is missing from our Preview issues will carry forward to Issue 3•8.
That will be end of August, or thereabouts. Compliments, critiques, complaints or concerns to Inbox@DesignReview.International
As we've heard, they are inevitable. The impact of change is different for most people. Lifestyle change, relationship change - job change, health change. The one inalienable human fact is that everyone, regardless of age, station in life - strengths, weaknesses, whatever - we have all experienced change.
Change is not quantitative. One never hears a comment such as, 'Well, I had 6 more changes than you did last week!'. Or, 'My change, yesterday, was much bigger (or smaller) than yours....'
No - change is life - it is the one constant. Some of us are better able to adapt to it, to rise above it - to incorporate and/or seize its moment - and harness either the positive, or negative fallout of change.
Most of you have by now received and read the change about to take place in the structure of DesignReview•International.
Sorry - not quite true. DRI, in and of itself, is not about to change. How you, the reading audience, engage with it is likely to change. Simply because, as previously stated, after three years of dedicated effort we are moving DRI to being a 'value-added' publication. Or, not - as you individually choose.
To reiterate, and for the last time, come September that month's issue will contain a subscription sign-up form. What means that? Means that this : : for those of you who continually enjoy the content, the insights - the 'value-added' features of DRI distribution and delivery of same will continue, monthly, uninterrupted following receipt of a paid subscription fee. For those of you who read the issuance this week of our email about this, you will recall that the survey feedback identified a per issue value of either $1.00 or $2.00......well, that actually hasn't beed finally decided on yet. You will receive a respectable advance notice in that regard.
However, moi - I felt guilty. Pourquoi? Well, I suppose I didn't give anyone a 'heads up' that this would ultimately be the direction that DRI would take - and now we've imposed this condition. On the other hand, we didn't know ourselves.....honestly. But out of respect for those of you who prefer not to pay for such content, and/or really just want 'flash' news items without the research, the backbone - I decided to provide, as a free service, a design bulletin, if you will. Just the basics of a story, the highlights.
A preview rather than a review. This week just such an effort was emailed to all recipients....it had the odd sounding moniker of 'datapoints'. Surely some of you wondered where, and when, I had lost my mind. I must apologize, explain and announce. As it was already a few days beyond month's end I felt it important to stick, as closely as possible, to the self-imposed discipline of always publishing on-time.
It slipped this issue - many reasons why - most beyond our control -but in the urgency to not let it slip any further the general announcement email was sent out and followed by the link to dr-datapoints.
If you observed the logo I designed for the design bulletin you will notice the letters, 'd' and 'p'.
I can now announce a successful negotiation to obtain the domain, www.DesignPreview.International.
Now it makes more sense, no? There is a delightful symmetry, to my mind, between DesignPreview and DesignReview......don't think it requires explaining.
www.DesignPreview.International provides me with freedom - a different kind of freedom than what is embraced in www.DesignReviewInternational - and it will permit me to, as I see fit, issue bulletins, blasts - 'hot off the press' kind issuances - and these will be free of charge. They will serve as a preview, naturally, to what will be contained in the more formal DesignReview issuance for that month. But, bear in mind - they will be just as described - news blasts - mostly a title with any compelling images associated with the information - there will be no depth. Sorry - that you get with a subscription.
And so, for this issue, 3•6, elements/stories as contained in the 'datapoints' issue will be further expanded. This will be the norm for this issue, and the following two.
It is my sincere hope that those of you who have been vocal about how you feel about DRI will continue to be readers. I have greater plans than this - this is a stepping stone to where I'd like to see DRI get to.
Thank you for your patience, your indulgence and your support. BTW - I want to make a personal/professional announcement here also. Last week I was informed that I was successful in my pursuit of a Master's degree from University of Gloucestershire, UK. I have earned an M.A., Creative and Critical Writing with the added distinction of, 'With Merit'. Hey - at 75 (middle age to me), being a freshly minted university graduate certainly tickles my fancy.
On a final note, henceforth, DR•I will restrict itself only to concerns regarding the world of design. No longer will there appear any personal comments or opinions.
Efficiency, versatility - adaptability, have become the watchwords of out digital daily survival.
In my daily professional experience, if I expect to be working off-site (in a library, a client's office - a train, plane) I spend way too much time setting aside this power cord, that USB connector type (are you all aware that there are three different types of connector ends for USBs? You must be....) I organize the connectors I need for my iPhone, iPad, bluetooth headset, earbuds, etc.....you get the picture. Oh yes, there's also my hard rives and/or a variety of data USBs.....it gets tiresome, wearying. And it actually all gets heavy. I love the minimalist ads we see that show the most elegant curved video screen with a wireless keyboard, a wireless mouse - a sleek laptop - and nothing else in sight. Come on! That is not real life.....if you saw my desktop you'd shudder. Not because it's messy or disorganized. Because I have 10 different external hard drives, a music system, mouse, digital drawing tablet, old iPhone 4 that serves as a really cool earthView clock, this connector, that connector.....if I dropped eead it would take a tech guy at least a day to unravel all that is there. And so it is with joyous abandon that I greet announcements such as the one following. It didn't take a rocket scientist (maybe it actually did....) to think clever and create this newest device. Quite simply it is a combination external hard drive and multi-port USB bus......
aw c'mon! Why has it taken all this years for such an obvious need to ben realized in an actual, honest-to-goodness, efficiency product?
Okay - enough! No more yattering - this product deserves full-tilt boogie in terms of announcement - please read, and enjoy.
Minix’s amazing USB-C hub is also a 240GB hard drive [Review]BY ED HARDY • 4:45 PM, JULY 7, 2019
Photo: Ed Hardy/Cult of MacThe Minix Neo Storage is one of those inventions so clever they make you ask, “Why didn’t someone think of this before?” It combines into one small package two accessories many people carry around: an external hard drive with up to 240GB of capacity and a 4-port USB hub.
We tested it with both a MacBook Pro and an iPad Pro. We’re sharing our real-world experience.
Minix Neo Storage review: USB-C hub and SSD in one
At first glance, the Neo Storage appears to be a slightly bulky USB hub. Along one edge are a pair of USB-A ports, an HDMI port, and a single USB-C port. On one end is a short cable with a USB-C connector.
The exterior is machined aluminum, with sharp edges but curved corners. It comes in either silver or space grey, and there’s a white LED bar that glows when this accessory is getting power. The overall look matches Apple’s design esthetic fairly well.
The central unit is 4.5 inches by 1.7 in. by 0.4 in. and 2.3 ounces (0.14 pounds). As mentioned, it’s larger than a typical USB hub, but smaller than most external hard drives. It fits easily into a gear bag, and Minix includes a black drawstring pouch so it won’t get scratched up. Or scratch up anything else, which is more likely.
Minix Neo Storage has a USB-C port, HDMI port, and dual USB Type-A ports.
Photo: Ed Hardy/Cult of MacThe two USB ports are 0.3 inches apart. This is fine for cables and average-size thumbdrives, but is a bit tight for anything even slightly oversized. The HDMI port is equally close.
The built-in cable is 4.9-inch long, a reasonable length whether the Neo Storage is used with a MacBook or an iPad Pro. It seems durable enough to stand up to regular use.
Buried on the inside is an Intel SSD, either 120GB or 240GB. This is non-removable — it’s not possible to replace it with something larger.
Minix Neo Storage performanceThe SSD inside this accessory acts like any other USB drive. Just plug this peripheral in and a drive called NEO Storage will mount. We tested it with an iPad Pro running iOS 13 and it performs equally well. The drive appears in the Files app exactly as it’s supposed to.
Minix Neo Storage appears in the Drive app like any other removable drive.
Screen cap: Ed Hardy/Cult of MacMinix says the 240GB version offers up to 400MB/s read and write speed, while the 120GB one is slightly slower: 350MB/s.
Tests with multiple peripherals show that the dual USB-A ports perform exactly as expected, whether it’s a keyboard, mouse, or a thumbdrive inserted. That goes for the iPad Pro, too.
The HDMI port is up to 4K video at 30Hz. Our tests found no problems with this. It does what it’s supposed to: let you connect your computer to a TV or projector.
No device has as many USB-C ports as we’d like, and this accessory doesn’t have to monopolize one. It has a USB-C port so power can keep flowing to the iPad or MacBook while the accessory is in use. But that’s all it can do. It’s not possible to daisy chain on another USB-C accessory.
And just so there’s no confusion, the Neo Storage doesn’t have to be plugged in to an external power source for all its functions to work. All that’s required is the power coming from your Mac or iPad.
The aluminum casing serves as radiator so expect it to get warm. Not hot, but definitely a way to warm your fingers on a cold morning.
Minix Neo Storage final thoughtsAnyone who’s already planning on carrying a USB-C hub to connect to USB-A accessories and HDMI TVs can now add some built-in storage. True, this accessory is a bit more bulky than the average USB hub but that’s not much of a drawback.
Pricing:Minix’s official price for the 240GB version of the Neo Storage is $99.90 (€99.90). It’s available on Amazon at that price, and here’s the cost in Canada and the UK.
Taking into account that this is both a USB-C hub and an SSD, these prices are quite reasonable. Take the Satechi Slim Aluminum Type-C hub. It’s $69.99, and while it offers more ports it doesn’t include any storage. Now look at the OWC Envoy Pro Ex whose 250GB version is $129. It’s much, much faster, but also pricier. Compared to those two, the Minix Neo Storage starts to look like a deal.
Introducing the Light of Life- a single, uniquely shaped and astounding art piece that functions more than just a mere lamp. It's sleek and exhibits a thin, cherry wood shade, and brightness that can be smoothly adjusted via touch controls on the base.
It features a "Sleep Mode" setting that turns the light off automatically after 30 minutes so that you can sleep soundly and comfortably.
4In addition, the base of the lamp also has an integrated wireless charging pad, so you can charge any phone wirelessly!
This stunning lamp even comes with a built-in neodymium Bluetooth speaker. Just pair your device to the lamp, and play your favourite music wirelessly. You can even use the touch controls on the lamp to skip songs and adjust the volume.
Say good bye to dull and unpleasing desk lamps. Good bye to switches, chaotic tangled cords, electrical extensions and mess.
From the very innovative company, Articture.
Located just off the coast of Manhattan in the Long Island Sound, Columbia Island is a remote retreat just 30 minutes from the city. The private island comes with a 5,625-square-foot residence with four bedrooms and two bathrooms. Its industrial-style interior features a spacious living area and kitchen with polished concrete floors and exposed brick walls. Expansive glazing and multiple terraces offer exceptional views while the rooftop deck affords sweeping panoramas of the New York skyline and nearby New Rochelle. Powered by solar panels and a desalination machine, the entire property is completely self-sustaining. Also included in the sale is the 3-acre Pea Island.
Photos: Sotheby's International Realty
$13,000,000.00 U S D • maybe a pretty cool BnB?
BOWLUS ROAD CHIEF ENDLESS HIGHWAYS CAMPER
Making its debut in 1934, the Bowlus Road Chief was the original silver bullet. Now, 85 years later, the travel trailer returns with some modern upgrades in the Endless Highway model. Its 26-foot exterior looks almost unchanged, sporting a similar aluminum shell that was created by aircraft engineer Hawley Bowlus. The interior is finished with wood walls and ceilings and features a master bedroom with king-size bed, an ensuite teak and chrome bathroom, dining for four, kitchen, and a sofa and armchair that convert into two twin beds. For added comfort while on the road, the camper also comes with heated floors, a cellular booster, a private wifi network, continuous hot water, and charging stations. It's all powered by a lithium iron phosphate systems, allowing you to stay off-grid for a full week adventure.
$185,000.00 - or attractive financing options - go here.
True portability and convenience : :
POURIGAMI COFFEE MAKER$30
Available on Kickstarter now, MiiR’s Pourigami pour-over system is a carry-able coffee maker that doesn’t succumb to the constraints of instant coffee alternatives or clunky camping presses. Three sleek slats of stainless steel (in black, stainless steel or white) interlock and form a nest for coffee filters. The system weighs just four ounces and, when unassembled, packs flat. Testing it out at this year’s Outdoor Retailer, we observed that it outperforms presses and clears a significant amount of space in your backpack.
HISPANO SUIZA CARMEN ELECTRIC HYPERCAR
Hispano Suiza introduced its first production car in over 70 years at the 2019 Geneva Auto Show. The Carmen is an all-electric hypercar that extensively uses carbon fiber for the monocoque chassis, eleven body panels, and nearly everything else, where at all possible. This helps the Carmen weigh in at 3,726 pounds — a relative lightweight in the electric car world. A 700 cell lithium-ion battery pack powers each rear wheel for a total of 1,019 horsepower, a 0-62 time of less than three seconds, and a limited top speed of 155 MPH. The interior is handcrafted at Hispano Suiza's Barcelona factory, using leather and Alcantara for the seating surfaces and aluminum and carbon fiber trim. Each of the 19 buyers can even choose their own perfume for the interior if that new car smell isn't enough. Hispano Suiza has designed the Carmen to be upgradeable as technology improves, keeping the Carmen relevant even after its production run ends.
In the words of someone, famous, 'HOOWAH!'
A TINY RETREAT RESTING ON A LARGE BOULDER IN THE CZECH COUNTRYSIDE
Prague-based firm Uhlik Architekti were asked by a private commission to create ‘Forest Retreat’: a compact and multifunctional timber hideaway that balances atop a natural boulder.The client requested a private space in the countryside where he could escape for quiet contemplation, given his demanding work back in Prague. Speaking of the site location, the architects explain that the client took them to a spot in the midst of fields, woods and meadows, “Full of strange boulders, to a remote and somewhat forgotten place”. The rich landscape together with the client’s aim won the architects over instantly. The exterior of the tiny home is charred timber and when closed it resembles an unassuming storage container. Two side walls act as moveable shutters that open to reveal large glass windows, allowing forest views from inside. All materials are local; either from a neighboring forest or from other nearby sources. The interior is made from plywood and features a set of ascending steps that differentiate the space, with each step doubling as a storage unit. The client can sit, work, lounge, or sleep as he pleases—the top level can be flipped upside down, turning into a double bed.
Virginia Tech’s FutureHAUS brings tomorrow’s home into today’s world
Nina Zafar • The Washington Post
July 2In recent years, innovation in digital technologies transformed the way we live. Advances in smartphones, robotics and computers revolutionized every aspect of our lives leaving it almost impossible to imagine life without them, yet these types of technologies remain object focused vs. concept focused. At Virginia Tech, an interdisciplinary team of 25 students and faculty is taking existing technology that work independently of each other and asking the question, why can’t these components work together? Their FutureHAUS project is about creating an interface that is completely connected within one smart-home system.
Virginia Tech placed first in Dubai’s Solar Decathlon Middle East competition that challenged 15 universities from around the world to design, build and operate energy positive solar homes. While the baseline for the competition revolved around energy efficiency within a 900-square-foot space, what differentiated FutureHAUS from its competitors was the smart technologies.
“We didn’t enter the competition for the competition’s sake. We used the competition to test out an idea of how to build a future house,” says Joe Wheeler, an architecture professor and leading member of the FutureHAUS team.
The future house Wheeler refers to is composed of several cutting-edge concepts. The prefabrication concept proposes that homes be built like cars or planes, utilizing an efficient and sustainable factory. The system is different from modular or double-wide concepts which ship an entire build in one piece. Instead, the FutureHAUS comprises 18 prebuilt “Lego style” modules that are plug and play once they arrive on-site from the factory. This allowed the team to put the house together in two days.
Not only are the modules easily transportable, but they are loaded with state-of-the-art technologies that revolve around the idea of aging in place. The research team submitted their request for participation in the competition in 2016, giving them two years to come up with their plan.
“We did a lot of user group studies. The university is a perfect test fit for that, not only because you have the student body but also you have the researchers doing their own research,” says Bobby Vance, a professor and program manager at Virginia Tech’s Center for Design Research.
Technologies that support aging in place include rooms designed to accommodate users of any height, age or disability. For example, the bathroom includes a touch control smart mirror that controls bathroom functions and features, making the vanity and toilet height adjustable. The toilet will raise and lower based on who is about to use it. The kitchen counters detect height and automatically adjust to each user, too.
“Say you buy this home when you’re 25 years old and you want to live in it until you’re 85 years old. There’s a lot that happens in that time,” Vance said. “You could have small kids, you’ve got in-laws who come over, or maybe mom’s in a wheelchair now. The home should be able to accommodate every change and every person.”
Another central concept is that of flex space. The walls of the home can be repositioned based on different configurations that are stored in a central touch-screen interface. Users can adjust the size of the office/living/bedroom space with the touch of a button, allowing for maximum usage of a house with a smaller footprint. In fact, every aspect of the home can be changed and controlled through this interface.
“I think that’s why we won the competition. Anyone can make an energy-positive home, but is it relevant? Is it a place that someone actually wants to live? This is about integrating technology in a seamless way,” Vance said.
Skeptics may be hesitant to live in a home with as much innovative technology as FutureHAUS has, but Vance is confident that smart homes are close to being mainstream.
“You don’t have to go all-in in the beginning. One thing we say is does anyone miss crank windows in their car? But does your Murphy bed need to have a smart mirror on the back? No. Does your shower need to be automated? No. Is the infrastructure all there for when you’re ready to do that? Absolutely.”
The FutureHAUS team also spent much of the two years leading up to the Dubai competition finding funding for the project. Sponsors include large companies such as Kohler, DuPont and Dominion Energy.
“We’re committed to driving these types of projects, new opportunities for lower-carbon-footprint ecosystems, and this was a great chance for us to get involved,” says Emil Avram, vice president of innovation at Dominion.
“We want our customers to look for carbon-friendly solutions the same way we are as an energy provider, and we’ll help to provide them with those solutions,” Avram said.
Matthew Boys, a recent graduate of Virginia Tech who worked on the FutureHAUS project as part of his capstone, interned with Dominion Energy for three summers before connecting his management with the FutureHAUS team. The 23-year-old industrial and systems engineering major managed much of the logistics for getting the house to Dubai.
“It was a heck of an experience,” Boys said. “Being in a different environment, seeing the fruits of our tireless labor come together was amazing. At one point, this was just on drawings so to see it actually happening and watching people go into the house and seeing their reactions, their jaws were dropping.”
Although members of the FutureHAUS team are still thriving off the excitement of sweeping the competition in Dubai, they are already looking toward the future of smart homes. They have developed a VR model that lets users interact with their potential home in real time. This allows them to preview the finishes in the home, from the floors to the walls. The Dubai FutureHAUS is a very stark white, modern style, but the home can be customized to a more homey design.
“We’re taking this to scale. We’re going to find the investors and come up with a couple of model homes that aren’t necessarily so futuristic like this, something that would meet market demand and propose what I like to call the Sears home of the future. We’re going to revitalize it and bring it back in a modern iHome,” Wheeler said.
The team has already begun researching what it would take to scale up production in a factory setting with a new team of engineering students. For a house named after the future, the technology is very much current. It may be just a matter of time before the FutureHAUS concept becomes a new normal.
FutureHAUS will be open to the public until Aug. 16 at Virginia Tech’s new Innovation Campus, 2602 Main Line Blvd., Alexandria. Tours are offered on Thursdays and Saturdays from 11 a.m. to 5 p.m. and Fridays and Saturdays from 11 a.m. to 8 p.m. The house will be closed for private events throughout the summer and visitors should check the website for updated information at www.futurehaus.tech.
In much the same way that Frank Lloyd Wright, Mies van der Rohe, Marc Newson and many other distinctive designers/architects created an instantly recognizable style signature, so did Haha Hadid.
Her work was, and is, instantly recognizable. Its message is always consistent, never wavering - and her legacy carries on in the work of her firm.
This unique dwelling located at 520 West 28th Street, NYC, is typically representative of her signature.
Just now on the market at $48,750,000.00 there is no other quite like it.
Oh! But, one last thing!
I received, very recently, an enquiry from a company not even on our mail-out list....how they became aware of DR•I I have not as yet determined. But, given that they are in Rotterdam, the Netherlands I find it fascinating that our modest little journal came to their attention.
This is a purely fabulous innovation that all of you should want to be aware of......some may take exception to the core principle, others may outright applaud the ingenuity, cleverness and future benefits that may accrue from this forward-thinking initiative.
For me, I'm of the latter camp - I believe it may well have rich and productive rewards for a global society, down the road.
What is it? Simply stated it is a water-based, flooring animal farm....check it out:
Floating Farm Dairy
Through the process of scale enlargement, and the automation of activities, the harbour of Rotterdam shifts to the west of the city, and the border between harbour and city shifts accordingly. Consequently, the decline of traditional trade activities make room for residential- and other urban developments. The harbour economy with its corresponding trading dynamics is disappearing from the basins; the original contrast between the relatively calm residential landscape and the lively centre point for trade is revolving 180 degrees; the basins of the Merwehaven threaten to become open and empty spaces in a densifying urban landscape of the Merwe-Vierhaven (M4H) area. With the Floating Farm Dairy these beautiful, but slowly orphaned spaces, find meaning in a rapidly changing environment through the introduction of urban farming.
The Farm produces, processes and distributes dairy products in the city, close to its consumers. It brings producer and consumer closer together, adds to shorter supply chains and awareness of city residents. Urban waste flows are upgraded from residual product to valuable ingredients cow feed. Brewers grains, potato scraps and grass clippings from the Feyenoord football stadium are all part of the menu. This adds to urban recycling and constitutes a fairly efficient form of food production. The Floating Farm Dairy is the first step to subsequently planned ‘Foodstrip’ in which a wider range of food production will be represented.
The design is, in essence, an agricultural building based on nautical principles. Organization, structural principles and use of materials are used to enhance the buoyancy and stability. The result is a stacked organization that places all heavy structural- and technical components in the submerged part of the building. All significant and transparent functions are situated on in a lightweight structure on top. The result is a 3-layered façade ranging from concrete to translucent polycarbonate to entirely open.
The Floating Farm Dairy is a compact and logically stacked structure that merges technical installations, storage, processing and production in a singular entity. Three connected concrete pontoons house the production of fruits (ingredients for yogurt), rain- and wastewater recycling and additional installations. On the upper factory floor combines milk and yogurt processing, feeding system, manure handling and retail. The covered cow garden will house 40 cows that will be supported by a manure cleaning robot and a milking robot along with various elements regarding animal welfare like the centrally placed ‘green columns’ that ensure cooling. The cantilevering floors and roof address the multi-level agricultural hub, and articulate its architecture.
The two galleries around the cow garden - vertically connected via two steel bridges - string together various evocative spaces to make an educational route. Along this route visitors gain insight on all activities in the Farm without disturbing the business process. Feeding fences around the cow garden and glass walls around the dairy processing facilitate the sensory experience of visitors and underline the transparent character of the company. Feeding-, dairy-, and manure processing are all organized to a compact and efficient logistic system that make this unique multi-level program possible.
Client/Initiator: Floating Farm Holding BV
Completion Year: 2019
Gross Built Area: 2000m2
Project location: Merwehaven, Rotterdam
Photo credits: Ruben Dario Kleimeer http://www.rubendariokleimeer.com/
Think about it. Almost all great cities in the world are adjacent to water - either a river (London, Montréal), an ocean (New York City), a lake (Chicago), etc. And as urban sprawl continues too, sprawl, farming communities are more threatened, more encroached upon. The reality is, there will always be, animal-based farming communities. Might it not make sense to bring them back to the core of our cities?
This is an easy, efficient and mobile method to make local stuff, local again.
In Montréal we benefit from the wisdom and convenience of Lufa Farms (https://montreal.lufa.com/en/marketplace) - an amazingly clever rooftop gardening initiative, enterprise.
Check it out - this is advanced, and clever thinking at its best.
One last word, for this issue.....the survey also threw back one other interesting commentary.
Actually two - the first was that everyone preferred the distribution to remain at once-a-month - the other was, for many, DR•I is simply too big - too much to get through. Para mi, I see that as the bonus I deliver - by design - aside from hyperlinks to source web-sites, you are never confronted with the dreaded,
'read more...' cop-out. What you see, is truly, what you get. It's honest, accurate, timely and always,
we believe, on topic.
• • • from the beginning of June. Why then is it feeling like Hallowe'en is just around the corner.
Here in Montréal - as in most of the north-east - it is freaking cold. Sorry, wrong - Cold and NASTY!
Weather forecast for next few days is, it's gonna me March! And in 3 weeks it's the first day of Summer....wahoo! We'll see. . . . .
So - what's new? What's new in the world of all things design?
Ah! There's this -
I LOVE this! Another great photograph by Adriana Garcia, Ottawa. Adriana is a professional interior designer and an amateur photographer.....think ya need to lose the 'amateur' part dearLady! Here's another of hers:
B E A U T I F U L work Adriana!
Mexico! We have, over the last months, brought you some fabulous examples of fine architecture in Mexico and throughout Latin and South America. Maybe it's just me, but I find a sense of the chest cavity expanding outwards when I see many of those projects for the first time. And now this....
There's a magic to the space/place that we find this in. Almost feels other-worldly. Personally I feel the warmth from the interior lighting flowing outwards, the damp coolness ofthe forest canopy closing inwards together with a sense of levitation almost! Purity, simplicity.
Yeah! That's what I'm talking' about!
It's a treehouse, man!
Suspended in a Mexican forest, the Floating Treehouse takes inspiration from the neighboring trees. The wooden retreat is anchored to the forest floor by nine stilts, similar to tree roots. Its trunk-like exterior rises vertically three stories. The lowest level is raised off the ground and sits on a large platform. A kitchen, workspace, and drum studio make up the sheltered portion while a large living area is located on the outdoor terrace. A spiral staircase wraps around the exterior, leading to a bathroom and then a bedroom on the top floor. A strong connection between the interior and the landscape is maintained through large windows and openings throughout the interior. At night, the glazing illuminates transforming the dwelling into a glowing timber tower.
Photos: Studio Chirika / Talleresque
It's just special. . . . . .
From ArchDaily.com : : CIMC Headquarter Office Building / CCDI Dongxiying Studio
The most striking aspect of this exciting new building is what happens on the roof. There are many reasons why we in North America do not encourage rooftop access - could be, might be dangerous / could be/might become a hang-out / could be/might be any number of paranoid concerns.
But to my mind, it's a genius design that promotes this kind of engagement between workers and the environment. Access to solitude, to serenity in a stressful workplace has been shown to have very positive effects on personnel. This is a lovely and inventive approach to responsive design.
OTTOSTUMM's mission is to support architects and designers with modern thermal barrier steel fenestration systems, which not only preserve the character of national heritage buildings, but also offer the possibility to use windows and doors with highest visual qualities in contemporary architecture.
Their products have a very narrow focus and are ideal for renovating steel windows in historic buildings of the 19th and 20th centuries, as well as for indoor and outdoor use in highly design-oriented villas, boutique commercial and institutional buildings. Windows and doors crafted with OTTOSTUMM's profiles are often the most noticeable feature of prestigious properties.
Also from ArchDaily.com is this product line from OTTOSTUMM. Great window designs.
Speaking of photography : :
Peter M. Cook, a British architectural photographer has dedicated 20 years to photographing outstanding buildings in Tokyo. His new book, e d o, contains that work. Published by Hatje Cantz Verlag, following is the description on the publisher's web-site:
How Tokyo's architecture changed over 20 years
British architectural photographer Peter M. Cook (*1967) started travelling to Tokyo in 1992, settling there in 1998. Peter has devoted himself to photographing buildings across Japan. Edo, which is the old name for Tokyo, is the culmination of twenty years tirelessly documenting Tokyo and its buildings, recording an architectural evolution of the city. For his photo book, Peter M. Cook has selected 100 images of Tokyo, paying homage to the visual language of Hiroshige’s 100 Views of Edo: Mount Fuji makes an appearance, ghostlike in the background, its powerful iconic presence a reminder of a constant in nature, in contrast to the urban landscape at its base. At the same time, Cook’s abstract aesthetics are reminiscent of the pioneering silent film Metropolis from 1927, which has set the scene for the futuristic city. The book furthermore includes a haiku by the renowned Japanese architect Kengo Kuma whose buildings Cook started to document for a new project.
Priced at £58.00 it is currently out of stock. Going on my Christmas wishlist!
• s t u n n i n g •
Why are we promoting Memphis?
Are we, promoting Memphis?
What caught my eye is this fabulous mural - trying to find more information about it. This, is what
g r a f f i t t i , if I might call it such, should be. Of course, it is not, by current definition, graffitti - it is, art - public art. Commisioned by, sanctioned by - paid for by, a committee of some sort. But it is powerfully expressive, directly communicative. It sums up, it contains, history - the resonace to those who made substantive contributions to Memphis, to the south, is palpable.
On the note regarding graffitti, I will take this opportunity to rant (just a little) - I HATE GRAFFITTI!
Graffitti in the free-for-all nonsensical, private encrypted obtuse and meaningless language of those who have convinced themselves that their irresponsible graphic messaging - akin to some alien pictograms - has a value, or makes sense - any sense - to the general public upon which it is imposed. To say nothing of the cost to the public purse to remove, cleanse, sanitize this visual dairrhea. It is in the most part a disgusting and self-delusional indulgence by those who mistakenly think they have a voice by which they should communicate to those of us who are ignorant of their values. That, pre-supposes, of course - that the practitioners of graffitti actually have any comprehension of, value. If I were Mayor I would make it an almost-top priority to set up a task force to eradicate/eliminate these transgressions. Simple question that needs to be asked, 'What gives them the right? Simple answer is - they are not, given the right - they, in the folds of darkness, highjack the right to abuse, inflict and babble graphically - it is d i s g u s t i n g and should be made to stop....or consequences would come into play!
From CoolHunting comes this:
In Memphis, Tennessee, the faded hues of yesteryear mingle delightfully with the invigorating aura of a burgeoning renaissance and prideful restoration of the city’s most historic locales. Beale Street, the city’s most famous stretch, is home to a handful of the nation’s most acclaimed music venues and once set the stage for some of America’s most inspired movements—everyone from B.B. King and Martin Luther King Jr. to Louis Armstrong and Elvis frequented here in its heyday. And, while music is certainly a primary draw for the nearly 200-year-old city, it’s working hard to attract more than just concert-goers and BBQ-eaters. Where sister city Nashville built itself to suit the expectations of its visitors, Memphis has stayed true to its locals—it’s soulful, resourceful and, best of all, rich with gems both old and new. These are a few of our favorite spots in the city by the Mississippi.
This newly opened airy spot in Memphis’ Pinch District is infusing southern, slow-moving hospitality into their chic, high-end coffee concept. Hayes and Amy McPherson, the couple behind Comeback Coffee, want to be a stopping place for all locals and visitors alike—and their expansive menu of delicious drinks and made-in-house treats certainly encourages this. Made by chef Cole Jeanes, the shop’s pastries are fresh and delightful and a rotating “market special” features local produce that isn’t used in the menu’s existing dishes. The interior is sparse but welcoming, and an adjacent back patio has enough room for dozens more. We recommend getting yourself a coffee soda—flash-chilled coffee infused with strawberries and lime, then put on tap—and a Mississippi Mud Pie (pictured here).
And then there's this : : HU•Hotel Memphis
Inside the Hu. Hotel Memphis—in walking distance to Beale Street and more of the city’s popular venues—open space abounds. From the lobby’s double-height ceilings to the building’s renovated rooftop space (the city installed a light show on its two longest bridges that can be seen from here starting at 7PM) the charming nooks and corners are endless. The lobby also feels much larger given that there’s no front desk: you check in at a coffeeshop-like counter just inside the front doors. There’s a consistent mid-century modern theme throughout, from the faded browns of the lobby to the pinkish hues of the hotel’s 110 guest rooms.
The Old Dominick Distillery is hard to miss. Not only is it situated across the street from Gus’s Famous Fried Chicken—a Memphis staple known for their fiery fried poultry—but its barrel storage room can just be seen peeking out of the second story window, which is frequently propped open to ease aging. The newly opened distillery is operating on a demand basis, meaning that if you stop in for a tasting or a tour you might not see much action. But, that doesn’t mean there aren’t spirits to taste. The distillery makes a surprisingly nice suite of vodkas and gins and offers a preview of their one-year-old whiskey. The rest, which they plan to release at four years, is yet to come—though there’s plenty to be excited for.
Situated inside the old Fred P. Gattas department store building—where Elvis famously frequented as deliveryman before becoming an international star—is Stock and Belle. Opened in 2015, the shop stocks local and national goods from a well-curated list of similarly-aligned brands. There’s also an eclectic collection of local art—most of which is produced in-house in the shop’s artist studios (pictured here in the rear of the store). From local fragrances to handmade art and furniture, there’s a vast selection of made-in-Memphis goods that aren’t kitschy or touristy.
Inside Crosstown Concourse, a 1.5 million-square-foot mixed-use building, there are over a dozen floors of office, school, living, retail and restaurant space. Perhaps most impressive is the building’s art gallery: Crosstown Arts. Featuring a vibrant red staircase that leads you into its heart and a vast mural to welcome guests, the gallery features rotating shows and a quirky, not-for-profit venue called the Art Bar. On exhibition right now is Stitched: Celebrating the Art of Quilting, which showcases the work of local quilters of all ages.
Pièce de Résistance
I am not shy - nor does it embarrass me - to be boldly unequivocal, to be boldly vocal when it comes to what, IMHO, is the representation of design mastery. . . . . and so it is with this m a s t e r p i e c e : :
You'd think I make a commission. . . . . not! But, once again the fine, fine work done by ArchDaily (www.ArchDaily.com) allows me to present this here - ArchDaily has done an exemplary job of curating this work.
From the architects [saavvedra arquitectos] as contained in the article by ArchDaily:
Text description provided by the architects. Casa Luzia is the second country house of a master plan of three houses in Avándaro, Mexico. (the first one is M House). This second land lot has a considerable downslope from the front to the back of the terrain. It rains with intensity most of the year and the lot is located in the natural pad of the rainwater. The big forest trees of Avandaro open to the center of the lot. The architectural program had to contemplate two different scenarios: a young couple with children or two young couples.
Casa Luzia was designed under these circumstances, taking as keys, the downslope of the terrain and the two bedrooms of the program. The rectangular volume rises from underground to float over the gradient. The bedrooms are located on the opposite extremes of the plan, giving privacy and autonomy and creating a tension that it`s solve by the complete openness of the public space.
Casa Luzia was designed under these circumstances, taking as keys, the downslope of the terrain and the two bedrooms of the program. The rectangular volume rises from underground to float over the gradient. The bedrooms are located on the opposite extremes of the plan, giving privacy and autonomy and creating a tension that it`s solve by the complete openness of the public space.
If in the Mies exercises of the Three Courtyards House aloud the subject (the super-human of Zarathustra) to inhabit the totality of space from anywhere. This house multiplies the subject to co-habit the totality of public space and only found privacy on the bedrooms. This central space is defined by furniture; the chimney and the kitchen bar are elements that hint the limits of the interior areas
There is something schizophrenic in mirroring modern architecture. Two spaces of similar proportions on opposite arista, that they see them in each other with different definitions, recognizing them in the other but not in themselves. It seems that even though they are identical they will never become homogeneous; summited to the fate of their distance, they create a force that could disrupt the space of architecture. And; as in construction is better to “direct the fissures” the volume of Casa Luzia is broken by stone tower with double height, a heavy and brutal element that “directs the fissure” of space.
Most of the volume skin is made of wood. It is sustained by a metallic structure that liberates the down part of the house, giving place to a courtyard/terrace that continuous the topography and the vegetation of the terrain.
The wooden skin opens for windows where the orientation and views requires. Two concrete slabs rest over the structure along the volume, only being interrupted by the double height stone tower, which solves the space balance, the material contrasts and the proportion of the house.
To a casual observer, looking at the horizontal planking shown here, it may appear to be simply a random emplacement of the pieces . . . . not so! You can be assured that the architect(s) individually selected each and every plank that is seen on these walls.....such important contributive character elements are not left to chance. The réalisation of such a result is truly very deliberate.
The sum of its parts is the totality of the work : : ethic
Montréal, a world class city - a renowned World Heritage site (le vieux port) - is replete with the most fabulous legacy architecture dating from the 1700's, 1800's. Many, many streets in and around the downtown core are graced by elegant greystone buildings - what were originally stately single residences. And, many still are - stately, singular residences. But, although Montréal has distinguished itself on the international achitectural stage with unique design and buildings [i.e., Place Ville Marie by I.M.Pei, Westmount Square by Mies van der Rohe, IBM tower by KPF Architects], our own local rockStar architects, such as Eric Huot (Geiger Huot) have deveoped and perfected the retention of heritage architecture into exciting, innovative and unique developments such as this one, in progress, Enticy Condominiums:
Note the integration of the four classic greystone buildings as apart of the general site......one of the floor plans offered in these buildings is:
For additional details, sales information, go to the Enticy Condominiums site.
Okay - so sit on this - or this - or maybe this
Given that Father's Day is soon upon us, here's a little something most all father's would need - and probably even enjoy - depending on what you filled it with.....
....or if you're really flush, this : :
ROLLS-ROYCE WRAITH EAGLE VIII COUPECaptain John Alcock and Lieutenant Arthur Brown made the first nonstop flight across the Atlantic ocean in 1919, piloting a Vickers Vimy biplane powered by two Rolls-Royce Eagle VIII engines. The 20.3-liter V12s made 350 horsepower, helping Alcock and Brown average 115 MPH for the flight — and performed flawlessly the entire time. The journey was fraught with trouble from the beginning, with the pilots becoming lost in a freezing cloud bank before breaking through and navigating by the stars to Ireland and safety. To commemorate the 100th anniversary of the heroic feat, Rolls-Royce is building 50 Wraith Eagle VIII special edition coupes, loaded with special features recalling the flight. Gunmetal and Selby Grey two-tone paint mark the night skies, and interior paneling of smoked eucalyptus vacuum metalized in gold with copper and brass that recall nighttime images of Earth from above. The starlight headliner is a map of the stars on the day of the flight in 1919, with red fiber optics marking the moment the pilots broke through the clouds, and constellations and the flight path embroidered in brass thread — a fitting tribute to Rolls-Royce's illustrious history.
You know the old saying - 'If you have to ask you can't afford it'- so, don't ask!
. . . . . . . and then again, there's this : :
But of course, it then begs the question, 'If one, why not both?'
VELA CONCEPT YACHTThe latest concept by award-winning Italian designer Gianmarco Cardia, the Vela combines the romance of sail-powered travel with a practical hybrid propulsion system. DynaRig masts hold the 1,850 square meters of sails, with one section doubling as an outdoor movie theater. The 80-foot vessel also has a spacious owners suite, four guest cabins, a spa, a water-level beach club with bar, and a gym. The hull has yet to be engineered, but a top speed of 21 knots is likely possible with the sails and hybrid system working together.
From my friend in Milan, Leonardo Bechini, another master photographer : : :these just have to be shown : :
: : :
1973 PORSCHE 911 TARGA 2.4S1973 was the last year for the desirable long hood/narrow bumper 911. Safety regulations would force a design change the following year, but the bodywork isn't the only thing that makes 1973 a special year — it was also the first year for the famous 915 five-speed gearbox. While this particular 911 Targa remains mechanically stock, it sports a very special custom interior by ultra-premium French leather goods maker Berluti. Featuring Berluti's beautifully burnished Venizia leather, the company's master colorists and upholsterers covered every inch of the car's seats, dash, and panels in hide. What isn't leather is covered in Bouclé wool, including the seat backs, floor mats, and carpeting. A pair of driving shoes and day bag are also included. The workmanship is second-to-none and tones and colors match the silver exterior perfectly. A truly one-of-a-kind 911, this car will be auctioned off by Sotheby's in Paris, April 24-May 7, 2019. • Will probably fetch $200,000.00
So - you know what happens here : : end of the chapter. And it's also the mid-point in the journey.
Six chapters to go
See you next month.
BTW - you can always contact me at michael@DesignReview.International
Is that not a t r u t h for many/most of us?
Sure feels that way. Took off for 9 days to sunny Florida - and it was that - sunny......Florida is best in Spring and in Fall....IMHO. As I lived (endured it) there for almost four years I do have somewhat of an informed opinion. Last week the days were clear, sunny - and blessedly dry!
This issue might be considered the harbinger of spring. You will find there is a preponderance of fine residences in this one. Not by design - purely coincidental. And two are by Québec architects....again, not by design - just happened that way. Plus we have a third Canadian contribution by the very talented Rita Edwards (Victoria, B.C.) - a follow-up to the legacy home renovation project from a couple of issues ago.
What be this? Sortof one part of a paperclip, no?
I have said this many times : : 'I love clever!' And this is, clever. Who'd a thunk it?
The pure geometry, alone - is tantalizing.....
And so, by extrapolation, one can see how this same approach might produce an interesting design for corner shelves.......
Ugao is a clothes rack placed in the corner of a room to save up space, and since it’s fixed to a wall it can be positioned at any desired height. In a form of a continuous steel loop, Ugao is an unusual rack with a wooden rod as the only element that is reminiscent of typology and suggests the use. It is diagonally fixed to the wall on two sides facing at a 90 degree angle, making it a solid and trustful structure. Ugao is a dismountable object, shipped flat-pack, intended to meet contemporary nomadic lifestyle habits.
B R A V O ! For good, ,cool, simple - c l e v e r design / design-thinking!
There are times : : not many, mind you - when words are completely unnecessary
This is one such time
Anne Carrier • architecte
This, I daresay, is another
And yet, another. . . . albeit, this 1953 Jaguar 150 is an astonishing embodiment of the gospel according to M le Bauhaus : :
Form, ever, follows function
Memories, fond - this was my own Jaguar - in 1973 I was the proud owner of a 1954 Jaguar Mark IV sedan - manual transmission with overdrive.
Was a thrill, a treat - to drive it anywhere - evenaround the block....it was,as is shown here,
in British Racing Green
Think! Think about what you are seeing here. . . . . a singular continuous sweep of glossy white material.
Could only be man-made - is most likely one custom ordered sheet of Kerlite....there are no seams to interrupt the purity of the statement.
That kind of thinking can only come from an architect/designer whose vision is rooted in the determination to adhere to an unviolable principle.
Another stunning example of québecois architecture!
PAVILLON DU LAC
Surrounded by dense forest in Canada, the Pavillon du Lac reflects the lakefront setting with a glazed facade. The guest house sits on a gentle slope, laying lightly on the terrain with an elevated foundation that appears to float above the ground. Its exterior is made entirely out of floor-to-ceiling windows. During the day, the home mirrors the landscape but becomes completely transparent after the sun goes down. Internally, two bedrooms, a bathroom, kitchen, and living area all enjoy uninterrupted views of the lake and wooded scenery.
Photos: Adrien Williams / Daoust Lestage
3573 boulevard saint-laurent
As form, does ever, follow function we have here the most recent advance in lighting technology.
From their web-site, this accounting:
'After weeks of fruitless internet searching, we discovered it wasn’t possible to buy cordless table lamps for your home! Unless you are looking for cheap entry level, novelty or garden varieties.
A gap in the market? We thought so. Speaking to retailers and interior designers it quickly became apparent the obstacle to creating cordless table lamps had always been; battery life and desirability.
With a background in developing new products, we realised we could create something unique, and do it well. It became obvious that demand for high end lamps to suit more discerning customers would work best.
Our range of decorative cordless table lamps has been designed by some of the UKs finest artists and product designers.
The ceramic and glass bodies are all hand made by master craftsmen in small workshops.
All components come from UK suppliers known to us, with finishing and assembly undertaken by Alexander Joseph. We are very proud to claim our products are 100% British.
We have designed our own battery cells and electronics, solving battery life issues found in all other cordless lamps. We use the very latest in high density lithium ion batteries with a specially made vintage style LED bulbs. The technology is deliberately discrete but delivers unparalleled endurance of over 52 hours before recharging is needed.
In addition to our permanent range of cordless lamps, from time to time we produce spectacular ‘one off’ designs and commissions.'
True cordless lighting technology. WOW!
BRUCE WILLIS' PARROT CAY ESTATE
The pristine beachfront of Turks and Caicos would be enough for most vacationers but not for one of America's biggest action stars. When you're someone like Bruce Willis, a Caribbean estate isn't complete without guest houses, a beachfront yoga pavilion, a playground with a pirate ship, and a movie theater to watch his latest release. The 8-acre, sunset-facing compound comes with three beachfront homes that total 35,000 square-feet of living space. An additional17,000 square feet of outdoor terraces feature four pools protected by rows of coconut, banana, and papaya trees. Go beyond the lush vegetation and you'll find 1,000 feet of sugary white sand running into a bay of turquoise water. As part of Parrot Cay's Private Estates, the property includes estate management, housekeeping, provisioning, a chef, and butler services.
Photos: Sotheby's International Real Estate
Rita Edwards DID, ASID
We continue with e p i s o d e #2 of the Herel project in Victoria, B.C.
In Rita's own words : :
So, it has been a busy couple of months at Walmsley Cottage. Last time you were here, we were demolishing walls.
. . . and discovering the unexpected along the way. . . .
but, things have progressed, as you can see here:
With careful adherence to my plans and specifications, the new space is beginning to blossom!
All the work, of course, in in accordance with and governed by the new B.C. Building Code in conjunction with the standards and stipulations as per the Heritage Foundation of Oak Bay.
New walls/partitions, new windows in new places, a transformation in progress!
But let’s not keep you waiting any longer! Let’s show you a few before and after shots! We are not yet done, due to a setback with the cabinet maker, but I do believe you will start to get as excited as I!
The floors have been installed and finished to match those in the rest of the house.
As problem-solving designers we continuously grow, in part, by trusting our creative instincts.
The intuitive processes that are our constant companions, serve us, and our clients, well.
Initially I had a concen that that the upper kitchen cabinets might feel too much of a spatial intrusion, enclosing, rather than expanding the space. However, given that they are all interior lit with glass doors they provide a wonderful sense of mystique and expansiveness. Check it out!
(If you actually shorten the perspective in a space, it makes the space seem larger. I will be eternally grateful to her for this tip.) A designer/colleague/friend of mine that I visited in England recently taught me this trick. She uses it in her garden. It has served us well here!
And I couldn’t wait for the cabinet fronts as it was important to keep the counter installation on schedule due to a production lead time of three weeks.Both the client and I think the counters are fabulous!
And, just wait until you see the light fixtures we have chosen for above the island! Hint: the Victorians loved the Moroccan influence.
In regards to the re-birth of the Family Room we painted the walls a soft grey and VOILA! A place you are drawn to. The openness beckons you to the garden in the back. Please note, rest of Canada, Victoria has been drenched in sunshine for a few months now.
Also, the renaissance of the herringbone pattern provides a classic grounding of pattern and texture.....so well suited for this iconic legacy home!
Until my next installment!
We are going to be 2 weeks behind schedule, but we did add a gas fireplace insert and more updates to the electrical panel. I am excited for the rest of the cabinetry to come together. We have planned a mudroom area and laundry room storage, as well as cabinetry to finish off our sunroom.
Next time we meet, I should have it all finished up! Can’t wait for you to see!
For the techie in all of us - and this is an astonishing technological marvel by Intel!
This tiny device that looks like a flash drive turns any screen into a Windows 10 PC
Forget desktop computers and forget laptops, because there’s an even more compact PC that you should definitely check out. In fact, it’s barely bigger than a flash drive. The Intel Compute Stick CS125 Computer plugs into an HDMI port on any monitor or TV and you’ll instantly transform it into a Windows 10 PC. It features quad-core Intel Atom x5-Z8300 processor, 3GB of DDR3 RAM, Wi-Fi AC, Bluetooth 4, two USB ports, and more, and it costs less than $130 right now on Amazon.
Here’s what you need to know from the product page:
For under $200.00 CAD one has a perfectly functioning WIN10 PC - will connect to any hotel room HDMI TV.....so very cool!
This In-Ear Translator Can Interpret
A Bilingual Conversation On The Fly
The recent news of German start-up Bragi leaving the consumer hardware business -- which likely meant an end to its ambitious true wireless earbuds, the Dash -- was unfortunate. I admired the company's ambitious vision of trying to make the Dash more than just earbuds for music listening; Bragi wanted to turn them into full-fledged assistants that can offer real-time translations of different languages.
The Bragi Dash has likely reached the end of the line as a consumer product, without fully realizing its digital translator dream, but a Shenzhen-based start-up named Timekettle has created its own device that strives for that same goal. Named the WT2, the earphones are true wireless earpieces that are meant to be worn by two people who do not share a common language.
There are no shortage of apps that can translate spoken words into another language -- including Google's excellent Translate app -- but where the WT2 stand out is each earpiece can automatically identify and interpret a specific language in real time, without getting confused by other languages or sounds, and without needing the user to prompt the listening/translation process with, for example, a button tap.
. . . . more
Original article written for Forbes by: Ben Sin
Safdie Architects Design a Fourth Tower
for Marina Bay Sands in Singapore
Safdie Architects have announced an expansion to the Marina Bay Sands Resort in Singapore. Linking to the existing resort and waterfront development, the project takes cues from the original three hotel towers completed in 2011. Safdie Architects will expand the existing resort with a new stand-alone hotel tower with about 1,000 suites and its own sky roof and swimming pool, as well as a 15,000-seat music arena.
Singapore's Ministry of Trade and Industry announced that a fourth tower will be constructed next to MBS as part of a larger SG$9 billion project. The existing Marina Bay Sands is a 121,000 square meter mixed-use Integrated Resort located on a 16 hectare site of reclaimed land in Singapore. The complex includes a 55 storey hotel with 2560 rooms in total; a 1.2-hectare garden Skypark capping the towers; the ArtScience Museum on the waterfront promontory; two state-of-the-art theaters; a Casino; a Convention Center and Exhibition Halls; shopping and dining outlets; as well as an outdoor event plaza. Known for its famous 150 meter-high infinity swimming pool, the resort has become an icon for Singapore
‘Do you play?’
The voice, soft - regal, as only a proper British accent can be, commanded
me to turn on my barstool to look.
Raising an eyebrow I looked at her.
‘Play? At what?’
‘That’, she said pointing downwards towards the floor ‘That….fiddle, violin - whatever…’
‘Uh no - actually not’, I replied.
‘Oh’ she said her mouth forming the word like a zero framed in crimson icing.
Her eyes, liquid pools of emeraldShine, bored into me.
‘Then why do you have it? Is there something else in in there? Is it like a carry box or a carry-all?’
I took a long pull from my Bloody Caesar all the while taking in the beauty and porcelain luminosity of her face.
It’s actually a ‘Tommy’’ I said
‘A Tommy - Tommy Gun - cut down from a full Thompson sub-machine gun’
‘You ARE kidding me?'
I just looked at her - said nothing.
'So’, she asked again, with a wicked crooked smile, leaning back with her left elbow on the bar, and then uncurling towards me,
’Do you play?’
©michael moore 2017
I took this shot at about 4:45 AM in August, 2008 - just off the coast of Santorini......it was a spectacular sunrise followed by a magical day of wandering the streets of Santorini, an exotic and tranquil lunch on the rooftop of a taverna off the beaten track of the hustle/bustle of scrambling tourists......it is truly, a most magical place.
Santorini : : definitely a place of the gods. . . . unique is a word that does not come close to being honestly descriptive. . . . . . and yet, it is exactly that - unique.
Perhaps this was the reciprocal view at a later time that day. . . . .
VORA VILLAS SOPHISTICATED
LUXURY IN SANTORINIOverlooking the volcano with stunning views of the island’s celebrated sunsets, Vora is a handcrafted new property of private villas carved into caves, cliffs and suspended high above the sea. Here, in one of the most beautiful spots on Earth sublimely private villas accommodations inspired by the volcanic environment and boasting minimalistic Cycladic design with custom-made furniture and a soothing palette of beiges and grays augmented by dark brown wood. A private infinitive spa tub with each villa completes a picture that seems as impossible to create as it is perfect to experience.
About Vora Villas: A sharp-edged channel of grey volcanic rock paves the way down from the entrance and reception point at the top of the site, twisting you and ricocheting you from angled wall to angled wall, slicing a soft white mass into 3 separate and unique villas.
The villas are neat, compact and dynamic, taking on a sculpted form when juxtaposed against the straight edge of the volcanic rock path and retaining walls.
The driving forces behind Vora concept were the volcanic rock and the traditional local
Known for inspired designs that produce unique and fully immersive experiences, the Athens-based K-Studio took a stunning but seemingly inhospitable vertical landscape and carved luxurious one-and two-story dwellings into its steep cliff face.
White cement and a dappling of dark stone lead you to heaven. Hard angles, strategic stairwells, and private terraces with equally sequestered spa tub set the scene, while the showstopper is the deep blue colors of the glorious Aegean Sea.
Vora Villas follows the local architecture with charming details such as arches while including all the luxuries of a contemporary lifestyle. A mix of custom-made furniture by local craftspeople and K-Studio as well as local materials such as black volcanic rocks and Vasaltis marble, give the spaces its unique character. The luxurious bathrooms feature blue Gascoigne double sinks with Pierre Boon faucets and generous walk-in showers. No detail here has been overlooked, including Tempur superior mattresses for a great night’s rest. For further information, the web-site is here: https://voravillas.com/architecture-design.
I guarantee it - there is not one of you that has not, at some time, immersed themselves in the fantasy of a treehouse. It's akin to having that lazy old rope swing under an 80 year old oak tree. Don't tell me it isn't so.
I know I have....the delicious fantasy of a secluded refuge - private to all except the invitées......a place to go, curl up - read a stack of comics - munch happily on peanut butter and jam sandwiches. And the only thing that got you down was an irrpressible need to pee, or, you were summoned for lunch....or dinner.
It was a fuzzy, coccoon - yours to maintain dominion over - yours to defend against the oncoming horde of attacking marauders..... yours, to be - lost in!
The following 'treehouse', is one for us, as grown-ups.....and I'll bet here is not one amongst you that isn't thiking, right now, 'Hmmmm....wonder how much it might cost to do something like this....'
I dunno - but it again falls under the overhang of, 'If/when I win the lottery.....'
Yeah - okay...I agree - it doesn't quite qualify as a treehouse from this persepective, b u t
Doesn't this resonate some of those same feeling?
This wonderful exposé originally appeared in dwell.com / written by Lucy Wang
These are some of her observations and comments:
Armed with an intimate knowledge of their one-acre property atop a bluff in Washington's Puget Sound, a pair of artists tapped Seattle–based DeForest Architects for a custom residence that's far more than just a place to call home.
Set on a one-acre wooded bluff overlooking Puget Sound, the Tree House is clad in low-maintenance materials including Cor-Ten steel, stained cedar shiplap, and painted HardiePlank.
An oversized entrance door leads to an angled hallway that obscures views to create an element of surprise. The Vollen bench in Custom Red Lacquer is from Chadhaus.
"The clients asked us to design a home for their family of four that was by turns tranquil and surprising, [and] so connected to the trees and the hillside that it would feel like a virtual walk in the woods," explain the architects. They worked closely with the clients to tease out a contemporary design aimed at deepening the family’s relationship with the landscape.
Enclosed in glass and elevated in the tree canopy, the living room is furnished with midcentury modern classics including a Case Kelston sofa from DWR and a Knoll Womb chair and ottoman. The custom red wool rug is from Driscoll Robbins.
Conceived as a "vehicle for experiencing the site in different ways," the 3,886-square-foot house winds along the steeply sloped terrain and culminates in a dramatic cantilever on the west side. The resulting spaces range from intimate bedrooms nestled into the hillside to a dramatic glass-enclosed great room cantilevered into the canopy for a treehouse-like feel.
The open kitchen features Pental Quartz countertops, walnut plywood cabinetry by Kerf Design, and a ceramic tile backsplash from Ann Sacks Savoy Collection. The Muuto Nerd counter stools are from DWR.
The two-story home's entrance faces east, and the primary living areas lie on the main floor. The master bedroom and two additional bedrooms are located on the upper floor. The layout follows an open-plan concept to achieve the client’s desire for "good flow" and to preserve sight lines with the outdoors.
The outdoor patio features St. Kitts lounge chairs from Frontgate and a black and white bone inlay coffee table. The full article can be seen here:
Design - interesting and unusual design leads us many places. Oklahoma, for example. Who'd a thunk it?
OKLAHOMA? Design? In the same breath? Peraps all the HGTV shows have propelled a movement towards sensitivity and understanding that we had not given them credit for?
I feel it is our responsibility to seek out good, unusual, unique - sometimes quirky - instances of design.
And this listing caught our eye......I think the conventional architectural term for this styl eof house is saltbox....forgive me if I'm wrong. But this style signature can be found in Toronto, Regina, Chicago and - Oklahoma. But what's particularly cool about this listing/property is tha there are actually TWO dwellings on the site. The main house, if you will - and the 'coachhouse'......and know what? At he listed price, this IS a deal! Anyways, take a look - it is, c h a r m i n g .......
And the Coachhouse: :
Comments: It's a clean, focused view and interpretation of simple, evocative interior design. There is nothing 'too much' - there is constancy and continuity - from house to house......actually quite rare unless in the hands of a professional. Bravo, Oklahoma!
The listing details are to be found here.
Listing price : : $349,000.00 (2 houses)
We, LIKE this!
Fine spirits deserve to reside in a space crafted as thoughtfully as they are. This handmade Club bar cabinet from Armani/Casa is the perfect gift for the cocktail lover; and with a limited edition of only 50 pieces, it may be just as rare as the distillations chosen to dwell within it.
Perched atop a stand of Canaletto walnut, the cabinet is fronted with doors that are hand lacquered in a swirl of blue, gold, and gray, meant to invoke Hokusai’s iconic woodblock print The Great Wave and designed to hold glasses in their interior pockets. Inside, a shelf with a fold-out tempered-glass top provides a surface for libations to be prepared and presented. Three bronze drawers house an ice bucket, mixology utensils, and bottles of your treasured spirits. The cabinet may be placed against a wall or, as it is accessible from both sides, hold its own at the center of a room.
More information can be found at their web-site: www.buffetsandcabinets.com
Flat Eleven Is a 50 sqm Flat in the Heart of Florence
We love to fantasize.......is that not what propels us as creative professionals to spawn ideas, concepts....outrageous thinking? I believe it is . . . . . we are, inescapably bound to new and innovative ideas, interpretations - creations. So, here, now - we travel to Florence - that most soulful of all Italian cities....and we find there, this:
And your question may well be, 'What's the big deal with this?
Perhaps not such a big deal - perhaps a clever concept for a small idea/space, to create the magic that allows one to think, it's a big deal - or a bigger deal than one might expect. I have oft-times told both students and clients, 'It is not how much space you have - it's how much space you feel, you have.'
Such is the case here : :
Studio Pierattelli Architetture reimagined an apartment in the heart of Florence, Italy, as a contemporary 50-square-meter flat full of comfort and functionality. Despite its compact size, Flat Eleven feels open and lacks for nothing as the reconfiguration splits the interior into two levels making it feel more spacious.
Pierattelli Architetture custom made the furnishings so they would be size appropriate and not take up unnecessary space. A lacquered wooden bench covered in denim cushions extends down and forms a planter box for added greenery.
A rounded arch helps define the living room and kitchen spaces while acting as a focal point in both. French herringbone parquet floors unify the entire interior and brighten up the space with its light color.
Originally showcased in DesignMilk: https://design-milk.com/flat-eleven-is-a-50-sqm-flat-in-the-heart-of-florence/
In my travels - both virtual and real - I frequently discover astonishing treasures, from the work of artists, be it raku pottery, fabulous photography, graphic design, ,interiors, architecture. The riches of our world in terms of creative achievements, brilliant work can be overwhelming.......kids and candy stores. In the last few issues it seems I have featured at least one outstanding architectural achievenment somewhere in latin america. To my eye there seems to be a continuity of conversation in terms of the visual language chosen by those architects. At the risk of offendoing perhaps someone, I find a more refreshing tone of honesty in the manner in which they have chosen to articulate their forms, and most particularly in the materials selected to encase and emphasize their bold, yet quietly tranquil formshape, architecture.
Thus, I present to you this recent discovery - it lives (take a look - I sense it actually breates, lives....) in San Sebastian Teitipac, Mexico. Conceived by the firm of LAMZ Architecture it is a stunning ...... what's the best word for it? D e s t i n a t i o n ? Yes, destination - a place that one finds themselves simply wanting to go to, to be there and then, to return there.
Vanessa Bertran - our irrepressible firecracker designer/editor, herself from Venezuela - has provided the spanish translation which is viewable on our page, espagnol.
Take a look - and tell me if you agree with me.....enjoy!
The Guanecaste Highlands of western Costa Rica look, and feel much like this. The rattlesnake dry heat, the constant taste of the sun-baked dust on your tongue - the blindingly azulean heat that leaves both breathless and exhilarated at the same time - this is a place like that!
There is a spirit of Frank Lloyd Wright at work in this place, this space.......the rhythm of the stone set against the lustre of the leathery woods.....
Originally published in ArchDaily[.com], The text description provided by the architects. Located on a hill, the project is displaced through two volumes, impacting the smallest possible surface and almost without altering the terrain, the existing vegetation of oaks and copal trees is respected. The compositional scheme of the volumes responds to different levels, burying itself to the south and flying towards the north, so the project gets a direct dialogue with nature.
So? Who does not agree with my opinion? Aw......it's okay. I still think is vibrant, refreshing -soul restorative.....it's a therapy living in Mexican desert foothils.
Photography by: Lorena Darquea
Lead architect: Luis Alberto Martinez Zuniga
For some many months, as I am a casual Facebook alumnus, I would come across either wonderful watercolours or stunningly gorgeous interiors by Marina Starunova. She resides in Kiev, Ukraine - and creates beautiful, whimsical paintings, OR mesmerizing interior designs.
She is elusive - and difficult to find much information on.....but for some months Ihave wanted to feature her wok - and so here it is...... I apologise that I cannot provide tangible contact information. But, BRAVO Marina! Une artiste, vraiment!
She can be found on LinkedIn (https://ua.linkedin.com/in/marina-starunova-90326964) or on Behance.....what a talent!
I am, upset • • • Why? Because I have run out of room - and I have so much more I want to bring to you......it will have to wait until next month. My apologies
All photographs : : ©michael:moore 2007
Publisher's Note: Due to unexpected interruptions in travel itineraries in the last week, Part II of the Rita Edwards project, along with the Moise Safdie mega-project in China will appear in our next issue. Thank you for your understanding.
Month #2 : : February
It's been a rough and a hard, bitter winter. And we still have a ways to go. Seemingly there is snow in the forecast up to and including the Ides of March.
This issue is trés riche. . . . full of some wonderful trésoirs trouvé - found treasures. Goodies.....I hope you react to them in much the same way I have - with wonderment both in regards to brilliant technology advances, or to wondrous beauty. So, sit back, enjoy.
Over the five decades of my professional career I have been ever so fortunate to have made some great friends, worked with some fantastic clients and am still now, proud of their accomplishments and of our successes in projects in which we've worked together.
One such person is a now retired Montreal interior designer, Suzan Carsley. Her family, and her, operated a fabulous interior design firm, Jean Carsley Interiors. Suzan now lives in New Brunswick, where over the last many years she has followed her other creative passion, painting in watercolours. Some of her work is shown here.
The title of this piece is 'Bullwinkle's Beat'• I LOVE Bullwinkle!
Along the St. John
These are only three of her delightful paintings. A large selection of her work can be seen at:
Suzan can be contacted as follows:
BIO: Suzan Carsley, interior designer by profession, fell in love with the medium of watercolour after seeing work by Ming Ma in Montreal in 1992 and then studied with him from 1993 - 1997.
“The vibrancy of his work was incredible- something I had never seen before withwatercolour.”
Suzan moved to Woodstock New Brunswick from Montreal in 2011 and retired from the interior design profession.
“I am passionate about watercolour and revel in using bold colour saturation and strong forms in landscape and architecture. I like to travel different paths, exploring linocuts and other techniques, often incorporating them into my watercolours.”
Above all, I try to stay true to myself. I challenge myself with every painting.”
A member of the Woodstock Art Club, Suzan’s work can be seen
at the Creek Village Gallery & Café in Woodstock Galerie Acanthus in Grand Sault
or by appointment at her studio in Bedell.
Suzan and I re-connected a couple of years ago through this DesignBlog. I wish her continued success and more exciting works to come.
Which brings me to the next greatFriend/Client, Del Foxton.
Del and I have worked together for almost 40 years, as designer/client - even as recently as last year.
Upon retiring as VP, Public Relations for Tana Canada about 15 years ago, she, and her wonderful husband Bill, decided to buy beachfront property in Freeport, Bahamas (actually about 20 miles outside of Freeport). Together we worked on the design and building of a dreamHouse beach house......
It is a fabulous retreat where I have been lucky to spend many wonderful hours. Upon retirement Del began pursuit and study of paper-making. Over these past years she has become a master in custom paper making and in the development of her own career as an outstanding artist, highly regarded throughout the Bahamas. Here are a few of her pieces - she made all the paper, and created the artwork.
Del in her studio
Del Foxton is an International Artist and Hand Made Paper Artisan. This passionate artist is truly obsessed with every part of hand paper making which was inspired by an ancient Chinese art form. Artists and art lovers around the world are captivated by the boundless creativity captured within each piece. Her artistry is diversifying the world of fine art. Her pieces have graced the walls of Art Exhibitions in The Bahamas, Canada and the United States.
She is a fine art practitioner, teacher, and an inspiration for everyone with a passion for art. The emergence of this fine art medium is welcomed by art galleries all over the world. Del designs with you in mind, no two pieces are alike. Size, shape, thickness, color, and texture of canvases are handmade to your liking.
Foxton’s work is currently in galleries in Canada, Florida, The Bahamas and Adagio Art Gallery & Studio on Grand Bahama Island.
Del is an active member of Headwaters Arts, Orangeville Art Group, Grand Bahama Artists Association, American Papermaking Association, Friends of Dard Hunter, International Paper Makers and Artists.
She invites like-minded people to contact her to share in her journey and to learn how her artistry can transform their home or office space.
As a matter of course, and as long held business principle, I have routinely attempted to put people together to see if there may be a mutual benefit or experience. Thus, recently, I introduced Suzan to Del.....who knows - perhaps Suzan's future watercolours may be found on some of Del's great handmade papers. Yay!
And while speaking of friends, to my mind, time/distance - in terms of true friendship - matters little in terms of how much time may pass throughout the course of one's life - if the core of a friendship is well forged, years, decades, may pass. Such is the case with a fabulously talented lady, Nina Keogh. Nina and I have not actually seen each other for over 40 years! We re-connected, via Facebook, about 4 years ago when she was living on the shores of the Atlantic Ocean in Twillingate, Newfoundland.
eShe was the puppeteer for Mr. Dressup, Polkadot Door, Friendly Giant, Today's Special along with many other shows. Her IMDB profile is here.
In 1999 Nina retired from the world of entertainment to focus on her evolution as a professional painter/artist. Her recent show at a gallery in Toronto had the following piece as a standout canvas.
Nina's work - and visual language - is much like Nina herself - exuberant, effervescent and completely alive! Her artistic vision is so refreshing.
Nina Keogh is a graduate of Central Technical School Art Department Toronto.
As a third generation artist and puppeteer, she was involved in many iconic award winning television series, both creating puppets and operating them. Her teaching ranged from Haliburton School of the Arts to Ryerson , CBC workshops and more.
Artist, performer, lecturer
While on the subject of artistic vision and creativity, please check this work.
Cecilia Paredes is a Peruvian-born, Philadelphia-based artist who incredibly merges artistic photography with human painting. The contemporary artist is always the main focus of her artwork, even when it is not noticeable at first, she remains the center of it all. You just got to look close to it! Kind of like a way of self portraits, these paintings/photographs are a unique form of art.
Her artwork is patterned with beautiful floral prints and Paredes is centered right in the middle of her self portraits work, aesthetically merging with the background. Her body is her canvas. She paints directly onto her own skin. Paint and clothing are what she uses for her modern art, the artist recreates the same pattern used for the background, on her body and on the fabric used.
Paredes is like a chameleon, perfectly blending with everything and making herself unnoticeable. Sometimes she leaves her hair exposed, making her presence visible for who lays eyes on it.
Frame after frame, her body remains present. Her body, as a blank canvas later on fully covered in art, serves as an empty vessel to reflect both her surroundings and feelings.
Her art is completely outstanding and very inspiring and I Lobo You is head over heels with it, it’s truly a beautiful and lyrical form of modern art.
More information on Cecilia Paredes can be found here.
WOW! How are y'all holding up? We're just getting started here.
We have at least 4 more projects to feature - all from our editorial and advisory board : :
Vanessa Bertan / Hana Elayan / Rita Edwards / Steven Hu. And I promise, there's more after that.
Then there is this wonderful architectural achievement - El Topo - please take a look.
Vanessa Bertran of our editorial staff did the research and the translation
(this is also available on our spanish page).
THE MOLE HOUSE
This project was conceived with the premise of minimizing its impact on the environment, looking for the house to seem to be smaller than it really is. For this the architect Martin Dulanto Sangalli and his team of collaborators, semi-buried the lower level of the house (which contains the social and service areas) giving a treatment of rustic and organic character, because this was the level that would be directly related to nature; while, in contrast, the upper level, (which contains the dorms), was raised as a pure block and completely clad in wood, which would appear to be simply resting on the ground.
The first level is the entrance to the project and contains the bedrooms. This was designed as a large wooden box that would be supported on the ground to take advantage of its height and provide the bedrooms with a panoramic view of both the lagoon and the Quebrada in its landscape.
While in the first level the dorm area is located, the lower level contains the following areas: social interior, social exterior the terrace and the service area.
This project not only takes into account the requirements of its inhabitants for the daily life, but its interest to preserve the beauty of its surroundings and the protection of the environment, really a project worthy of admiration.
Below, the description of the environments corresponding to each level:
Terrace, swimming pool, living room, dining room, kitchen, hallway, staircase that goes up to the second level, visiting bathroom, service hall, patio, canopy laundry, service bedroom with closet and bathroom.
Staircase that comes from the lower level, master bedroom with closet and main bathroom 1 and main bathroom 2 Incorporated, bedroom 2 with closet and bathroom 2 Incorporated, bedroom 3 with closet and Bathroom 3 incorporated. A guest bedroom with closet and bathroom 4 built-in, living room and deposit.
Architect: Martín Dulanto Sangalli
Collaborators: Raúl Montesinos, Jose Cepero, Gabriel Tanaka & Dora González
Location: Condo La Quebrada, Cieneguilla. LIMA-PERÚ
Terrain Area: 1871.34m²
Structural Engineer: Jorge Avendaño
Design year: 2017
WHAT? A Kleenex box? Nope . . . . it's a wonderful new Bluetooth speaker....
Brighton-based design studio Gomi has created a portable bluetooth speaker using plastic waste that is deemed non-recyclable by local councils in the UK.
Each Gomi speaker features a rectangular body formed from colourful marble-effect plastic. The equivalent of 100 plastic bags in non-recyclable – or flexible – plastic go into the body of each speaker.
Flexible plastic includes materials such as plastic bags and bubble wrap made of low-density polyethylene, and is not accepted by UK councils for recycling.
The speaker consists of three modular components that can be easily separated and melted down into new parts for future products without losing any material value.
Each speaker is hand-marbled, which means that every product has its own individual aesthetic and colour pattern, depending on the particular plastic waste that has gone into it.
The studio worked with local food wholesalers who typically use a large amount of packaging that is usually thrown away.
"With our bluetooth speakers, we want to intercept a waste stream that would otherwise be landfilled or incinerated," said Meades.
It was important that the speaker was "not only aesthetically desirable, but also sounds great". To achieve this, the studio worked with electronic engineers and audio professionals to hone the sound of the speaker.
The studio embarked on the project after its research found that plastic waste makes up 85 per cent of the pollution on beaches across the world, and that the UK throws away 300 million kilos of flexible plastic each year.
"We were inspired by the cradle-to-cradle design process, thinking about our products full life-cycle right from the beginning of our design process," said Gomi co-founder Tom Meades.
"Flexible plastics are widely regarded as non-recyclable by UK councils, and so we thought this would be the perfect material to harness and show that through innovative design this can be valuable, and does not have to end up as waste polluting our environment. Instead, we can craft this material into desirable objects," he explained.
In a bid to move towards a circular economy, the design studio is aiming to offer free repairs for their products and a system where customers can return the products to be recycled.
Gomi are one of many studios looking at alternative ways to use plastic waste. In Thessaloniki, The New Raw design studio has set up a laboratory called
Rita Edwards, Interior Designer, Victoria, British Columbia
Rita, is - a friend.....a very special friend who I met when she was one of my students in the Interior Design programme at the International Academy of Design, Montreal, 2002.
She is ultra-talented with great insight and sensitivity. We will have regular updates to this project over the next few issues.
The view from the property
By Marguerita Edwards : :
Victoria British Columbia, is known for its picturesque charm. Situated alongside the waterfront, with calm bays and sandy beaches, on the one side, and Garry Oak meadows, granite hills and knolls, on the other, its inhabitants choose to settle here for its quality of life.
I am no different. I moved here in 2013 to make a home for my family. However, I also wanted to embrace the potential of the design in the area. Many of the older homes were being torn down and replaced with monolithic structures with very little consideration for the historical value of surrounding neighborhood. I promised myself to salvage these houses, one at a time, from a world of homogenization and standardization.
One such home has captured my heart. The Hertel’s Victorian cottage, which dates back to 1896, sits in the pristine neighbourhood of Oak Bay.
Its charm captures you in an instant. Walking up to its wrap-around porch, with gingerbread cut-outs and spindle work, I knew I wanted to bring the lustre back to this faded gem.
One day, last fall, I walked up the path to the door of Walmsley Cottage and was welcomed by Philipp, Emmanuelle and Jacob Hertel. I was delighted to hear that they too wanted to restore the original beauty of their heritage house, and to reinstate some of the elements that had been lost through renovations executed by previous owners.
Emmanuelle loved her home for its quirks and cozy corners, but Philipp wanted it to be done sustainably and with a low carbon imprint. He wanted it to function better for his growing family. My challenge was two-fold: how to transform the space to provide a more efficient way of living, while still keeping the integrity and charm of the home. I also had to put considerable consideration into the use of materials.
I knew this was the project for me! After months of research and planning with the city council, we had permits in hand and began demolition. As the project unfolds, we are met with surprises hiding within the walls!
One never knows what treasures may be found hidden within old walls
The original wood plank sub-floor installed on the bias • Current kitchen
It is a labour of love, but one that is ultimately gratifying. The house speaks to us every day and lets us know what transformations are necessary. I work hand and hand with my trusted trades, and with them, I can make all the subtle changes that will make all the difference!
Stay with me over the next few months and see the transformation!
This looks like a wonderful project - one of continuing surprises and an evolving delight in an exciting transformation. We will provide regular updates throughout the course of this project. Thank you Rita.
Following is the thoughts and reflections written by Emmanuelle : :
Dreams for My Dream House
Just before my fifth birthday my family moved into our first house on Island Road. By the time I was twelve, our family had grown by another three children (five kids total) and we were compelled to move into a larger house, incredibly on the same block. In the middle of this block sat the two oldest houses on the street, a set of almost identical white cottages built in the 1890s. Since I can remember, I’d dreamed of one day living in one of those houses. Infatuated with all things “old fashioned” as a child, these heritage houses epitomized the quaint, simple beauty I’ve always cherished.
For a while I babysat for the girl (my younger sister’s best friend) who lived in one of the cottages, and became familiar with - and enchanted by - the interior as well. From the dark fir floors to the wainscoting to the old brass door knobs to the rooms situated under eaves cut in with dormer windows...I was in love.
Roughly fifteen years later I was standing in the kitchen of the San Francisco apartment I shared with my husband when my mom called to let me know that the owner was selling the house. My husband and I were fortunate enough to have been in a position to discuss buying the house for when we were ready to move back to Victoria (we were obligated to stay in the States for a few more years), and we were even more fortunate to have been friends with the owner, who, after hearing from us, canceled her plans to list the house internationally and arranged to sell to us privately - I think she knew it was really our house.
We’d long planned some of the changes we would make to the house once we lived in it, and when that much-anticipated time finally came, we were referred by lifelong friends to Design One Stevens, and did not hesitate to entrust designer Rita Edwards with our little gem.
Built in 1896, our house is heritage designated, which meant there was some hold up on the progress of our renovation while we applied to make some of the changes and waited for council’s approval. Thankfully we received it!
The interior of the house was awkwardly laid out in some respects, having already been through a few renovations and expansions, and aspects of it had become dated (the paint choices, for starters) or had simply lost (and in some cases never had) functionality. We’d always known we wanted to open up the kitchen - remove a wall to allow in more light and create a bigger footprint, add an island for gathering and food prep, update the 1970s MDF cupboards (whose doors were literally falling off the hinges, and most of the knobs missing) for a classic style of cabinetry in solid wood, incorporating the same attention to detail that makes the house so special. The kitchen also only had one very small window, so we wanted to enlarge that; Rita suggested we add another on the other side of the new oven range for symmetry. We were sold.
Enlarging the front windows was also at the top of our list, as they were stunted and had clearly been changed during some previous renovation, leaving the low-ceilinged living room with a rather cave-like feel. The cottage next to ours, which has barely (if at all) been updated since it was built, has much larger multi-paned windows in the front, and we wanted to do something similar to those, attempting to restore the original feel of the windows.
The main floor bathroom next to the living room was a bit of an odd use of space, and rendered the other set of front windows unusable if one wanted privacy while using it! The washer and dryer were also just sort of crammed into the bathroom, and I knew I wanted a proper laundry area with room for a drying rack, shelving, etc.
The previous owners had been using the side door as the main entrance, with the coat closet situated in a dark hallway on that side, and we wanted to change that and use the front as the main entry again, but didn’t really have a proper mudroom - one just sort of fell into the living room.
Rita’s brilliant design for the front area addressed and fixed all those problems. We loved her idea to make the footprint of the bathroom smaller but far more functional, and then create a proper entrance in front of the previously unusable windows, with space for shoes, a bench, coat closet and hooks, and designate the back hallway for the new laundry room.
The upstairs of the house holds the master bedroom, our son’s bedroom, and a workspace under the eaves. The latter space has always been my favourite of the house, and it was the first area we tackled, modifying it to make better use of the very deep closet by turning it into a cabinet with deep drawers and cubbies to hold bolts of fabric. We heightened and expanded the desk that was already there to create a proper space for me to lay out and cut fabric, adding a new bank of drawers underneath and a layer of cork on top (perfect for pins!), while on the other side we joined the tops of the two desk-height bookshelves and expanded its width to accommodate my sewing machines. I loved it before, but now it is truly my dream workspace.
The master bedroom, situated right under the low-angled eaves, is a strangely designed area, as you have to pass through the doorless ensuite bathroom in order to access the bedroom. We would love to add a shower (and a door!) to this bathroom, but the angles of the eaves along with the non-standard joists in the floor below have proven to be a real challenge. However, I have every faith that Rita will be able to come up with a beautiful solution for when we are ready to get started on that space!
My dream for the house is simply to do it justice. We want to update certain aspects for modern times and functionality while simultaneously respecting, restoring and replicating the delicate charm that has drawn me to it since childhood.
O R G A N I C a r c h i t e c t u r e
The new Montreal campus of the multinational company Ericsson has been designed to provide a stimulating and innovative work environment. This large-scale project by Menkès Shooner Dagenais LeTourneux Architects has won an award of excellence during the National Design and Architecture Exhibition in Toronto for its layout that «embodies a corporate culture of openness and innovation» and its open spaces favourable for creativity. Photo credits: Stéphane Brügger.
Blossom Stool – A Piece Designed by Louis Vuitton and Tokujin Yoshioka
The Japanese designer Tokujin Yoshioka has collaborated with Louis Vuitton, one of the most famous and recognized luxury brands, to create a four-petal Blossom stool, a modern furniture piece with a contemporary design. The elegant and luxury furniture piece reinterprets the designer brand’s iconic monogram of petals, by reshaping the silhouette to form a delicate overlapping structure.
French fashion company Louis Vuitton started their ‘objets nomades collection’, with the idea of keeping alive their long tradition of traveling objects. In order to create the set comprised of 25 pieces with an exclusive design, they have collaborated with renowned designers from around the world, bringing together the company’s artisans with the ideas of the creatives, mixing their know-how with experimentation.
Made of noble materials such as metal, brass, leather or wood, the purpose of this creative work with a unique design is to generate a universal and timeless object in line with the luxury brand’s philosophy. This stool also pays homage to the luxury aesthetic and high level of craftsmanship associated with Louis Vuitton.
Original article written by: : FÁBIO OLIVEIRA
The structure is made of four golden petals that interlace in the shape of a seating, conveying the brand’s long craftsmanship history and techniques. The seat of the Blossom Stool is an articulation of the brand’s iconic four-petal monogram. The folding structure ensures absolute functionality, and the organic form makes for an indispensable accessory.
Foldable and luxury furniture, mobile lamps and travel accessories are at the heart of
Louis Vuitton’s unique collection of nomad objects. To complete this list, new objects have been presented, including the Blossom stool by Tokujin Yoshioka.
Here we go again : : another great project by our staff member, Hana Elayan. METAPHORM is the name of her architectural firm in Amman, Jordan. Hana is one of the founders and is the Managing Partner and this project was directed by her partner, Ghazwa Tayeb.......great work!
Coincidentally, she was one of my design students in the same class that Rita Edwards was in - a while ago.....how time does fly! Hana has contributed other articles/submissions to DRI over the last 3 - 4 years. This one can also be found on our arabic page.
This is wonderful architectural design - pure, simple - restful. Beautiful work Hana!
In a green location in Um Al Basateen (Mother of Orchards), an area characterised by its quiet yet vivid atmosphere in Amman Jordan, an area of 740.51 m2 was chosen for our creatively designed project, the K residence.
In harmony with the beautiful nature of the area, raw concrete was selected for exterior façades. Enhancing the identity of the building with its rigid natural look, which was further augmented by the contrast formed between raw concrete and glass. Allowing an abundance of natural light to penetrate the 2-story building, the walls were designed to as exaggerated proportions of transparent glass. Light is also celebrated in the posterior surface of the house where transparency enables the residents to enjoy the mesmerising view of the natural terrains around the house from the roof.
The view from the ground floor is no less fascinating, were the residents can enjoy the scenery of the outdoor pool and the surrounding landscape, which was expanded on the expense of possible extra built areas only to guarantee a unique outdoor experience in the residence of a lifetime
As one of the very few architectural offices uses BIM technology in Jordan, K residence was modelled using Autodesk Revit as a LOD350 model, therefor all the following stages including; the working drawings, the 3 Dimensional shots and the tables of quantities were generated using the same software
There has been much talk and frenetic attention of late focused on the seeming 'next step' evolution of the cel-phone. Samsung was first with its introduction of the Samsung 'Fold'. Huawei, however, was immediately behind Samsung with their new offering, the Huawei MATE. Check it out. It is achingly expensive ($2000USD) - but as we all have come to know, introductory prices do not last for long......my own feeling is that, on the one hand, any product that successfully combines two products to become one, is ultimately of benefit to us all. Would I ever consider paying such a price of $2000.00+ - n o p e .
My! Aren't we gettingGlobal? From Victoria, B.C. to Amman, Jordan - to Beijing, China
I can promise you, the readers, one sure thing - there is no regularly published Design Blog like DRI.
Our staff associates are all working professionals - architects, interior designers, photographers, graphic designers - DesignReviewInternational is certainly unique - and certainly international.
Grandma’s House Renovation : : Village Huangshandian, Beijing China
The following submission is number 3 in a series researched, edited and organized by Steven Hu of our staff. This is the final article about the reclamation of derelict Chinese farms that have been resuscitated and restored, re-purposed to continue life as soothing, yet stunning, design retreats.
This is also viewable in mandarin here:
The property prior to restoration
The project is situated in Beijing China.
The design changed a collapsed house to a gazebo for outdoor dining, enriching the layers of
the courtyard. During the renovation process, the designer carried out the repair of the
damaged inner roof of the farmhouse with local traditional slate roofing process. It preserves
not only the appearance of the original farmhouse and courtyard enclosure, but also their
spatial relationship. As a result, this renovated farmhouse could be harmoniously integrated
into the village veins and retain the rural memory.
The design team converted the original appentice at the entrance of the farmhouse into a separate kitchen and private theater, which helps the owner to operate their future Inn, and improves
the functions of this courtyard. These public spaces of the courtyard are arranged in the middle
of the area, such as the dining room and the living room, being individual and yet connected to
Since most of these villages are located in remote mountainous areas without convenient
transportation, the agricultural products in the village are difficult to export, further
exacerbating the local poverty. On the other hand, contemporary urban residents in China are
also plagued by factors such as life pressure and air pollution. They would love to relax in the
suburbs at weekends, but it is hard to find a quality one.
The overall plan is to find vacant homes in those villages, and transform them to meet the
urban residents’ criteria with the shortest time and lowest cost. The house owner will train
local farmers to do room service, hire a professional team to develop catering menus based on
local crops, and rent them on an online platform. 75% of the revenue will go to the local
farmers and 25% to pay the platform.
The work was completed on the renovation of nearly forty courtyards in one year, the cost was
controlled at approximately USD 60/sq ft (including cleaning, building renovation, interior
design, furniture, lighting, electromechanical, sewage treatment, etc.), and the total time
spent per renovation was less than two months.
The use of local building materials and labor has greatly reduced the cost of their inn operation.
That they allocate most of the income to local farmers has stabilized the business model,
attracting more and more farmers willing to provide us the houses that are not in use.
The booking of the available courtyards is booming, and the income of farmhouse owners far
exceeds the income of their work in the city. Many young people have returned to the village
and joined this industry, solving many social and family problems indirectly.
originally published by EVOLUTIONDESIGN from www.zhuxuncn.com
Yet another great photograph by Leonardo Bechini
Apple has carved out an enviable leadership position over the past five or so years, as being the technological innovator, primarily in the universe of cel-phones, tablets, laptops. It used to be Microsoft that owned that mantle - and it seems hat perhaps, with some of their recent outstanding technical innovations, they could well re-claim the numero 1 position. Their development of the HoloLens is both exciting and insightful. Check this out as it describes the application of this product to the world of construction : :
Microsoft is really hoping to get down to business with the next version of the HoloLens. In fact, the software giant announced a new customization program for the HoloLens 2.
How, precisely, such customized versions of the XR headset will look remains to be seen, but the company’s first partner, construction hardware company Trimble, is offering a pretty interesting glimpse. The company joined Microsoft onstage at Mobile World Conference in Barcelona to debut a new collaboration.
The XR10 is a customized hard hat with a swiveling HoloLens 2 built in, so construction works can get a heads-up display on site. This first partnership is a clear sign of where Microsoft hopes to go with this second generation of its headset, taking the technology beyond the confines of the office and into real-world sites.
Pricing is still TBD, but the headset will be available at the same time as the regular HoloLens 2.
. . . . and so here we are again - end of another issue and I still didn't get half of what I had reserved for it into this release. Oh well - next month. A part of next month's release will be a stunning new project in China by Montreal's most famous architect, Moishe Safdie - it will astound you. And we will go back in time to explore some of the last days of another genius designer, architect, artist, and scientist....Leonardo da Vinci.
Plus a feature on the great design work of Marina Starunova, Ukraine - here's a preview:
And lastly, yet again, the inclusion of some of my work. This issue showcases some of my graphic design projects. As a Certified Graphic Designer, my chosen specialty was logo design and identity graphics.
I got great joy and satisfaction from the process of seeking a form shape that was reflective of the company for whom it was designed. Hope you like them.
This is my most recent logo design/development • for a student of mine who graduated a year ago and is in the process of developing her own freelance clientele.
That's it for now - there are a number of other logos and graphic design projects that could be shown here.....these are fairly representative of the principal philosophy by which I have conducted my design work over 50 years.
Signing off with this thought....graphically and philosophically......
There are 9 months left in the lifespan of DesignReviewInternational - unless we settle on a plan to keep it sustainable. Current surveys of our readership thus far indicate the support for DRI becoming a paid subscription publication. What might the price point be? Still working on that - if any of you have an opinion as to whether DRI has a value - that you enjoy and appreciate - please feel free to write us. At this juncture such a value price-point is ranging between $2.00 and $5.00 an issue.......thoughts? Ideas?
Thank you all for your enthusiastic comments and support so far.
That's the plan, right? are we working on/with/towards resolutions? Pas moi.......at least not in any formal sense. Making resolutions (of the New Year's resolutions ilk) are mostly a distraction - you're either gonna do something, or you're not. Angsting about it changes nothing. Surprise yourself! You'll feel a whole lot better!
Okay! So here's some current thinking. The last blog issue spilled a lot of passionate conviction and opinion into a venue where it probably had no right to be - except, in that passion is/was the conviction that a light needed to be shone - however narrow its beam may have been. But, DRI is not the stage from which to shine it. So, what was said, was said. And I make no apologies for it. We have witnessed a month plus of agonizing unwarranted illegal hardships in the US. It is far from over. But in the future any voice I care to speak with will be restricted to a new forthcoming blog to be found at www.TheGeneralIdea.net.
I will advise when that is operational .
It's January 2019 - an d what is January synonymous with? CES of course. For those of you who do not know about it, CES is Consumer Electronics Show, held every year las Vegas. It is the industry showcase of all the upcoming, soon-to-be-coming, maybe coming electronic wizardry from TVs to computers, cel-phone technologies, sound systems, AR, VR and soup and nuts and lots of stuff in between. It's a wet dream for techno junkies. This year was little different from years past, generally. Personally I enjoy watching it from afar. It provides intelligent insights and realistic forecasts. For instance LG Electronics unveiled their new LG Signature roll-up TV. That's right, just like a roller shade it disappears into a box - it's just that box is at the base. It's pretty cool. It will be very expensive, initially. But CES is also the forum that provides all the competitors to LG, or any other manufacturer with a reality roadmap. And what is stupid expensive today will, in 3 years or 5 years become de rigour in terms of cost.
Take look at the video - it's pretty astonishing. And even at the speculative price of $8000.US, I actually have clients - quite a few - who could easily afford it.
The old saying, 'Now you see it, now you don't' has special meaning to this product.
Cool, right? At a rough guess it looks to be about 4' wide, by maybe 48"high and, hard to tell from this image, but maybe 36" wide.
Aha! A little more is revealed . . . . .
Well, lookee here - that's pretty neat- a compact working deskStation.
I think the dimensions I guessed at are probably pretty close. It's neat though, eh?
These photographs are the work of the outstanding photographer, who I am proud to call my friend, my colleague. Leonardo Bechini, Milan - is an artiste extraordinaire.. You should - you all should, look at his portfolio at www.leomore.net
This haunting shot was taken of the McGill campus in a winter much like this one. Look at the subtlety of the reddish/pink tone of the McGill banners.......
OMG! OMGx2! Where am I? It looks like a mad, crazed builder figured out how to Xerox completed houses and he plunked them down, like a virus, in this valley.
What IS it? Where IS it?
I think the only positive thing one might say about this is that the municipality wouldn't have to spend money on street signs - just give a sequential number to each house!
I don't know about any of you - actually, strike that - I do. I do NOT think any one of my readers would agree to live there even if they could buy a place for a dollar. There is no rational argument that can be made that excuses such a flagrant disregard for design, elegance - or normalcy. Sheesh!
Just plain and simple - a very cool chair
To many, or most of us, an unknown entity. Certainly the perception is, now, and for the last many years, that Taiwan is kind a 'phantom' state. Long respected as a highly sophisticated producer of technological innovations and manufacturing, Taiwan is - and always has been - a major thorn in the side of China. My question is, 'So what?' Taiwan is not going to go away, Taiwan is not going be absorbed by China - in 50 years, Taiwan will be exactly where it is now.....not gonna change.
However, Taiwan is an amazingly sophisticated nation - one that has pioneered technological innovation. One that has driven style, design and awareness thereto. So this feature should come as no surprise to those with any familiarity with Taiwan and its design values. This is a really good design example, running the gamut from classical traditionalism to industrial chic. Kudos! But, be your own judge.
As you will see, this house renovation, might be defined as schizophrenic.......
The following slideshow contains photographs of the principal living areas, predominantly attuned to a more traditional yet modern design
This photo array shows the top floor and space - with an industrial design signature.
and finally a section drawing of the building
. . . . and the garage.
it's just purty darned cool - and, I'll take the Porsche, thank you!
. . . .and while on the subject of photography, Adriana Garcia, whose work has also been featured here has submitted these recent pieces:
Some of the readership of this publication, are sailors - I know that. Some are friends/colleagues from my days at Royal Caribbean Cruises (Rita, Perla, Michael, Mayte) - and still very much engaged/consumed by the nautical world. Were things different in my career I would most likely be still immersed in that world. It's a special breed of designer who devotes their professional efforts to the design of ships, watercraft.
So, I have to say - here and now, when I win the lottery (a respectably big one), an early acquisition will be a ship such as this - what is referred to adventure expedition class ships - constructed to withstand ice floes, rough waters and able to circumnavigate the world, endlessly.
However, if I, for some bizarre reason, do not win that mega lottery, well I've decided that my next novel will be set on just such a craft......stay tuned, We'll take a journey together, soon.
VRIPACK : : their web-site
An explorer yacht like no other, M/Y ROCK is the SUV of the seas. Inspired by the durability of marble and Land Rover, yet softened by the warmth of a tactile interior, 24m ROCK, designed by Dutch studio Vripack, is built for comfortable adventure.
Launched - and sold to her current owner - at the 2018 Cannes Boat Show where she made her international debut, ROCK is defined by her voluminous open plan layout and uninterrupted sight lines; the yachting world's first pocket rocket.
Dutch studio Vripack's design philosophy is informed by a creative, holistic and collaborative approach. When paired with Turkish yard Evadne and project managers Tufan and Brothers, the result is robust and spacious; ROCK boasts 44 per cent more interior space and 49 per cent more exterior space than an average or similar-sized yacht.
Characterised by an enticing interior design, where textured fabrics and soft furnishings contrast with maple wood finishes and angular 3D shapes, ROCK truly serves as an inviting home from home. The owner intends on spending many weeks living on board, cruising the intimate ports of the Mediterranean.
Continuous connection to the sea
In addition to an interior that is akin to a contemporary loft apartment, ROCK possesses a high straight bow to intercept rough seas and a low aft for easy access to the water. This masterfully-designed continuous connection to the sea is a design detail that is carried throughout, explains Vripack designer, Robin de Vries.
"We added a lot of glass on board, with full height windows that deliver uninterrupted views wherever you are on board. The dining area features one of the largest glass panels found on board a 24m yacht, providing panoramic vistas, while in the owner's cabin a private terrace is complemented by a sweeping 180-degree view."
A rapid top speed
Featuring a Fast Displacement steel hull and aluminium superstructure, ROCK reaches a rapid top speed of 16 knots and a respectable cruising speed of 12 knots. Powered by two CAT C12 engines at 1000hp, she boasts a Transatlantic range of 3000 Nm.
. . . .another brick in the wall Listen to it then read on!
F O L O G R A M :
A team of three in Melbourne Australia have created a unique new tool for use in architecture and construction. Their software is designed to integrate with Rhino 3D. Watch the video to see how two bricklayers in Tasmania, built this amazingly complex curved brick wall in one day! It is an astonishing example of AR (augmented reality). Video here
Fologram is used globally by architects, engineers, designers, manufacturers, educators and creatives to easily begin working in augmented and mixed reality. At a basic level we allow users to visualise, interact and manipulate their models from Rhino 3D (a CAD and modeling program) on the Microsoft HoloLens (an augmented reality headset). Featuring multi headset support, users can collaborate with fellow colleagues in the same model. Our toolkit empowers our users to create their own customised interactions within the augmented reality environment, in effect easily and quickly innovating their own applications. Our clients have used this tool for a wide range of uses, such as: - Taught design studios and fabricated pavilions without any 2D documentation; - Overlaid digital information and guides onto analogue tools, increasing productivity and efficiency; - Visualised projects for clients and contractors in the real world in 3D, removing ambiguity that paper 2D plans commonly create; For various projects and uses of Fologram visit: https://vimeo.com/fologram. Further information can be found at www.fologram.com
Cameron Newnham leads our engineering teamCam is enthralled by the optimization of systems and fluid user experiences. Excited by seeing clients find new uses for technology.
Gwyllim Jahn is product, partner and design lead.
Gwyll is incrementally working to redefine the limits of design and construction. Passionate about helping clients realise incredible projects.
Nick van den Berg leads operations, clients and sales.
Nick is fascinated by how technology democratises knowledge and enhances skills. Loves building products that delight users around the world.
This tool - and others like it on the horizon - will dramatically change how construction carries forward - and how much easier it will be to undertake complex structures.
The following article is written by Devon Thursday, the Real Estate editor at U.S. News & World Report, where she writes consumer-focused articles about the homebuying and selling process, home improvement, tenant rights and the state of the housing market.
These are 4 out of the 9 in the article. Click on the link to read the article and attain access to the liveLinks for each tool listed.
As promised in our last issue, following is the second of three great articles submitted by Steven Hu : : Chaange Village Farmhouse Renovation Project, Daxing, Beijing, China
The project is situated in ChangGe Village, Daxing County, in Beijing’s southwestern suburb.
Subject of the renovation is a worn-out farm house built in the early 1970’s, with its original wood-brick
structure commonly seen in north China’s country side. Before the remodel, inside the dim and
shabby house (or a shack to be more exact), walls were dark, covered by more than 40
years of hard cooking smoke lamps, ash and soot. There was no water supply nor restroom – its
residents, a senior farm couple, needed to walk about 100m around the house to get to the
closest outhouse in the neighborhood. The long but narrow courtyard facing south functioned
as a pathway for the family’s only transport vehicle, a three-wheeler, which was inconveniently
parked in a dead end. Even worse, interior floor elevation of the house was almost 20 cm lower
than the courtyard, turning the house into a flooding pond whenever it rained, a safety threat
to the entire building structure. Ironically, the area was troubled by water shortage – water gets
cut off almost daily, sometimes during peak evening hours.
The following shows the Before plan and the Current plan.
The renovation project was one episode of BTV’s live television show series called “Our Warm
New Houses”. The show producer set up specific but stringent requirements on cost and
construction speed. Design and construction need to be completed in 45 days. All-inclusive
budget was capped at 300,000 RMB (about 45,000 USD), including labor and materials, on-site
work, site remodeling, interior construction, lights and fixtures, furniture and interior
decorations, even purchasing new home electronics.
To solve the core water issue, the design process thoroughly considered the
challenges of both water shortage and flood control. First, they elevated the interior floor,
adjusted exterior courtyard ground level and installed new sewers and gutter systems. In addition,
a new water tank with a capacity over 2-cubic-meters was built at one end of the courtyard, to
harvest and recycle rain water collected from the rooftops. In the evenings when water gets
occasionally cut off, collected rain water could be used as a supplementary water source for
toilet flushing or to satisfy other essential needs, for up to a year. At the same time, with water
drainage now in place, the building structure stands strong even in pouring rain.
Mucho gracias Steven! Wonderful effort, great job! The original article was published by: EVOLUTIONDESIGN from www.gooood.cn. Our mandarin version can be viewed on our mandarin page.
All libraries should be designed this way, with this feature - except there should be two per bookcase.
Clap if you agree!
So - end of another issue. . . . almost. In keeping with my promise/threat, to include in each issue, one of my past projects, this month it is a very special place. My client, Bruce, for whom I had already designed 3 residences prior to this project, bought this spectacular estate in Hudson Quebec, 33 years ago. Situated on 30 acres of land it is far set back from the roadway behind iron gates with large carved stone lions. Cannot be seen from the road. When he bought it there were two families living there. The grandparents occupied one half of the house, their children and the grandchildren, the other half.
This marvellous edifice was designed by Edward Maxwell, famous Montreal architect. It was built in 1916 for Dr. Lafleur whose family lived there for the next 55 years.
There were many challenges involved in this undertaking - the two families had created two back to back kitchens on one side of the house. The second floor, consisted of only 4 bedrooms, each, when Bruce acquired it, with en suite bathrooms - in extremely poor and outdated condition. The Master Bedroom was immense - situated directly above the Living Room it ran the full depth of the house - approximately 50 feet in length by 30 feet in with. It also had an adjacent east-facing sunroom.
This project was a labour of love - for myself and my client. Although his principal residence is in Barbados, and has been for 20+ years (which I also designed) he has a special place in his heart for this, Forest Manor, and makes a point of visiting Montreal 3 -4 times a year to enjoy the majesty of this fine home. In the 33 years since I finished the project (which incidentally had to be complete within a crippling timeframe - I had promised completion and delivery in time for the Christmas celebration extravaganza!) - only a very few things have been changed or modified. Certain upholstery fabrics needed replacement as wear factors take their toll. Some wallpapers were changed. In 2011 we removed all the marble kitchen counters and replaced them with granite. Other incidental changes/improvements were carried out also.
My role in this project was 'man of many hats'- I developed all design, construction details and drawings...supervised all the restoration work (we had a fabulous swiss wood craftsman, Fritz, working for 6 months steady, hand stripping all the oak panelling in the Great Hall and single-handedly re-staining, burnishing, and finishing all of it. If you look closely at the framed panelling you will see how the centre of each panel is the lightest tone and it becomes progressively darker and richer in tone the closer it gets to the actual panel frame. Electrical work was a nightmare......all walls were original lath and plaster - fishing wiring through such walls was outrageously difficult - but we managed to do it. The result is evidenced in all the recessed halogen spots scattered throughout. Our contractor extraordinaire, was Jemlor Construction, under the sure hand and guidance of Amir Anders, provided peerless expertise and management throughout the entire undertaking.
The Powder Room did not exist - there was no bathroom on the main floor. Where the Powder Room is is was an exit corridor running from the Great Hall to the rear terrace. That corridor doubled as a floral prep space. All doors and frames are original. In designing the Powder Room the placement of the sink was critical given that there was no 'wiggle room' between the edge of the door when it was half open and the edge of where the sink had to be located. There is ⅛" clearance! And that has held steady, with no problems, over 33 years.
My other responsibility aside from general design and planning was as interior decorator. I selected, recommended - searched and found, all persian carpets, wallpapers, upholstered furniture pieces, dining room furniture (the Chippendale dining chairs, although not original, are magnificent reproductions which we acquired at auction). I designed and had the dining table custom made by Patella Industries, one of the finest millwork companies ever. The satinwood banding on the table top is as good as any Sheraton museum quality table.
In the Master Bathroom, the sink vanity legs are turned solid brass - they are virtual replicas of the mahogany columns found in the fireplace in the Master Bedroom. We carefully de-constructed a column and had the brass legs custom-tooled to be used as the vanity legs!
It was a wonderful experience. Although I was at the same time, managing my design firm of a staff of 12 , this was the project that really touched my heart. As I recall I had 2 or 3 designers on this team, full-time through completion.
And now, it is, for sale. Sotheby is the listing agent and the video you will see here was commissioned by them. It really tells the tale most effectively as to the wonderful seclusion and serenity in this estate - and yet it is a mere 25 minute drive from Fairview Pointe Claire.
I hope you enjoy this journey. When it sells, as it will eventually ($4,395,000.00) it will be a sad end to a most wonderful experience in both my professional, and personal life, as Bruce and I have remained good friends over the last 40 years.
View from rear
Note the gradated tonal change in the wood panelling.
I have many other project photos in my files....these are the highlights. This property has been featured in many movies, TV shows (CBC 'Scoop') and the subject of numerous magazine articles.
I think you'll agree - this is a s p e c i a l p l a c e.
As a professional interior designer (45+ years) and as a Certified Graphic Designer (25 years) I have devoted my life to the pursuit of design excellence. Winner of numerous design awards I have also spent 25+ years teaching Interior Design.....the greatest quote regarding design is: the greatest faux pas in design is irrelevance